Like 30 Rock, The Office doesn’t have to worry about cancellation or season renewal this year, and while that could make an easy excuse for TV senioritis to kick in, the writers and cast have managed to steer the show out of its shaky eighth season and into a final hurrah that evokes the more old-school Michael Scott-era sensibilities that made the show so great during the early days. We won’t be officially halfway through this season until the end of January, but The Office has already crammed so much into its first ten episodes that it’s anyone’s guess where the Dunder Mifflin crew’s stories will end up in May (though realistically, unless Dunder Mifflin goes under, most of them will probably stay there for a long time). Here are my three main midseason takeaways:
1. It all comes down to Jim and Pam
Like the show itself, Jim and Pam were adorable during their awkward moon-faced stage and once they started dating things hit their stride, then right after they married and the baby rolled in, most of us suddenly couldn’t stand them, whether it was the way Pam’s New Mom Status made the vulnerable, heart-on-her-sleeve Pam go away forever or the way Jim got too old for cute smugness and general condescension toward his coworkers to remain a likable trait. With Jim’s budding startup job in Philly and the Halperts’ budding interaction with the documentary crew, it’s likely that the Philly situation will play a huge factor in the series finale come May. (Note: Last night’s opening credits ended with Jim and Pam kissing instead of Andy knocking over the figurine at his desk, so the show’s definitely planting the series finale seeds now.)
2. Abandon accuracy, embrace characters
The reality of running and maintaining a paper company has never been a priority on The Office, and this season is no different. Sometimes it’s considered (like when Jim asks Phyllis and Stanley to cover for him while he goes part-time), but for the most part things have been pretty nonsensical between the whole Sabre/Florida arc last year, long periods with no one at the reception desk, way too many Regional Managers since Michael, Andy ditching work for a soul-searching trip in the Caribbean, and Nellie effectively getting booted from her position only to retain her former “Special Projects” gig, which is ridiculous considering she’s done nothing but be a dependable smartass (and at other times, unexpected confidante too). On the flipside, we can always count on an Office episode – from any season, really – to come impressively packed with subplots and supporting character development. So far this season we’ve seen Angela square off against Oscar for her gay husband’s fidelity, Jim’s new job (which includes gushing like a tourist during a meeting with Julius Erving), Darryl and Val’s strained relationship, Nellie’s hushed adoption plans, and newcomer Pete’s attraction to Erin slowly reminding her just what a tool Andy is. We also got to see Meredith go from token drunk to Pam’s only source of bald-headed sympathy.
3. It’s okay that Michael’s gone forever
There has already been some speculation about whether or not Steve Carrell will return for a series finale cameo, but Michael’s departure was beautiful and succinct – a final happily-ever-after with a cute, cool girl who gets his weird jokes – and it should stay that way. Plus, if the documentary crew came for Michael’s story, they would’ve stopped filming after he boarded that plane. I say let Michael’s exit stand where it left us two years ago, and instead of hoping for a gimmicky cameo we should hope that all the other characters, most of whom had all nine seasons to develop, also get the touching happily-ever-afters they deserve. They’ve certainly earned it after all these years. Especially Creed.
What are your thoughts on this season so far? Do you find the Halperts likable these days? Are you looking forward to seeing The Farm pilot? Should Michael appear in the series finale? Does Creed deserve a happily-ever-after?
Megh Wright misses Harrisburg, lives in Brooklyn, and answers phones in Manhattan.