Every week between now and January 15, when the nominations are announced, Vulture will consult its crystal ball to determine the changing fortunes in this year's Oscar race. Check back every Friday for our Oscar Futures column, when we'll let you in on insider gossip, confer with other awards-season pundits, and track industry buzz to figure out who's up, who's down, and who's currently leading the race for a coveted Oscar nomination.
Birdman. Boyhood has been taking the lion's share of critics' group prizes, but this week, Birdman scored the most nominations from the SAG awards and Golden Globes, earning some very important field-leading headlines.
American Sniper. Clint Eastwood's perils-of-war movie was supposed to be awards season's last-minute game-changer, but total shutouts at SAG and the Golden Globes will now make Oscar a tough shot.
Wes Anderson, The Grand Budapest Hotel. Could this be the year that Wes Anderson gets some real Oscar traction? Budapest pulled down Best Film nominations from both SAG and the Golden Globes, and Anderson himself got a Globe nod for Best Director, suggesting that the movie could earn the major Academy Award nominations that just barely eluded his last effort, Moonrise Kingdom.
Angelina Jolie, Unbroken. This was not a good week for Angelina Jolie, who was dragged into the Sony leak imbroglio and found her film Unbroken utterly snubbed by the Golden Globes, a voting organization typically so partial to her that they even nominated her for The Tourist.
Jake Gyllenhaal, Nightcrawler. Could significant nods from the Indie Spirits, Globes, and SAG confirm my theory from last week that Gyllenhaal is this category's official fifth-slot dark horse? DON'T TOY WITH ME, GUYS. I'm starting to get my hopes up here!
David Oyelowo, Selma. Selma's late surge has added some extra oomph to this awards season, but it may have proved too late-breaking for SAG, since Oyelowo was Best Actor's biggest snub. (Yes, Selma hadn't yet sent out screeners, but Oyelowo had been doing guild Q&As.) Fortunately, the Golden Globes put him back into contention.
Jennifer Aniston, Cake. You've got to hand it to Aniston's team: They sensed the weakness and ongoing mutability of this category and mounted a full-court press for Aniston's performance in the indie Cake, sending the actress every-freakin'-where in a last-minute campaign that hit with more intensity than any contender in this category has yet mounted. The result? Nominations from both SAG and the Globes.
Hilary Swank, The Homesman. Swank's Western skews very "old Academy voter," but after back-to-back snubs this week, it feels like Aniston has usurped her fifth slot.
Robert Duvall, The Judge. Am I a Robert Duvall fan? Of course, I'm not a monster! Still, I am not prepared to live in a world where The Judge earns even a single Oscar nomination, and after Supporting Actor nods for Duvall from both SAG and the Golden Globes, I guess I'd better start battening down the hatches.
Miyavi, Unbroken. As the movie's Academy heat dissipates, so, too, do the chances of this intriguing Japanese actor. Miyavi was one of the few nonwhite contenders this year in an acting category; now, Selma's David Oyelowo is the only potential nominee who can ensure that the Academy doesn't nominate 20 white actors for the first time since 1997.
Naomi Watts, St. Vincent. After walking out of St. Vincent's Toronto Film Fest premiere, a fellow pundit started to discount Bill Murray's Oscar chances, and I told him that the movie's likeliest shot at a nomination was in the Best Supporting Actress category, on the back of Naomi Watts. Readers, he shot me a look so withering that I withdrew my notion and assumed I had irrevocably broken my Oscar compass in the wash. But hey, would you look at that: SAG voters snuck Watts in for the nomination list's biggest shocker!
Laura Dern, Wild. I just don't think Dern has enough screentime to make the Oscar short list, and snubs from SAG and the Globes will make this quest a continued uphill climb.