Ernst Haas photographed just about everything he could get in front of his lens. When he died in 1986, he left a huge body of work depicting deserts in the Southwest, skyscrapers in New York, pedestrians in Paris, monks in Vietnam. And movie stars — lots of movie stars. Haas looked at a movie set with a documentarian’s eye. The selections here, from the collection Ernst Haas: On Set (out this spring, from Steidl), take visible pleasure in Hollywood’s absurd, arresting artifice. And by the way: That really is Joan Collins’s derrière, next to the HANDS OFF sign.
*This article appears in the April 6, 2015 issue of New York Magazine.BEGIN SLIDESHOW