A writer and producer engineered a historic million-dollar payday, developing a news story specifically intended to get movie studios drooling.
The film is the first major Hollywood studio movie to feature a predominantly Asian cast in 25 years.
Are these the final days for the “Netflix of movies”?
Says creator Kurt Sutter.
The star thanked fans and screened outrageous deleted scenes at the film’s Comic-Con victory lap
The Wu-Tang founder’s Comic-Con panel showcased his new, non-martial arts creative direction
“To call it that even if it’s not in the winter — that’s ballsy.”
The makers of the animated film explain how deliberately they approached the project, which features the first Afro-Latino Spidey.
“Hey, these are my strengths, these are my weaknesses. These are the kinds of systems I do best in.”
The satiric ultra-violent horror-thriller has both big ideas and buckets of blood
What will the future of DC movies look like? Will we see footage from Wonder Woman 1984? And more.
Based on second-tier characters and obscure supervillains, is the interlocking series of films a cynical cash grab — or a brave new creative vision?
The crowdsourced storytelling app behind The Kissing Booth is changing Hollywood’s rules of content development one user comment at a time.
“What genre is it? Am I supposed to be laughing? Am I supposed to be … uneasy?”
Atlanta’s “Jesus of Trap” lent hip-hop authenticity to the production of Superfly.
The filmmakers enlisted Vogue and a bunch of extremely famous extras to create a jarringly authentic version of the world’s most glamorous party.
We talk to the director about making Superfly, a black action movie for the current cultural moment.
We talk to the college kids turned criminals responsible for history’s most inept art theft.
The stand-alone prequel fell well short of financial expectations over its opening weekend. So what happened?
“The movie was risky on every level.”
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