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MOST RECENT ARTICLES BY:
Jesse Green
See all their articles from across New York Magazine
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Theater Review: Why Are We in
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The helicopter escape awaits.
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It’s
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Mar. 20, 2017
Theater Review: Sarah Ruhl Gets Into Polyamory, Maaan
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Theater Review: David Byrne Gives Joan of Arc the Imelda Treatment
Here lies Jeanne.
Mar. 13, 2017
Theater Review:
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Theater Review: Can You Make a Musical Out of Canadian Niceness?
You’d maybe enjoy it, eh?
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Theater Review: A Reimagined
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Purists beware; everyone else take notice.
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Theater:
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Would the Electric Slide have helped?
Mar. 1, 2017
Theater Review: A Close-up
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It’s genuinely scary.
theater reviews
Feb. 27, 2017
Theater Review: The David Mamet Flameout Is Now Complete
Even the Mamet dialogue now misfires.
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Feb. 23, 2017
Theater Review: Jake Gyllenhaal in
Sunday in the Park With George
The result is Sondheim’s most personal statement and thus, with all its odd corners and occasional wanderings, his most moving.
Feb. 21, 2017
Theater Review:
Everybody
Is a 600-Year-Old Play Brought Up to the Moment
Branden Jacobs-Jenkins, MacArthur Genius, reworks one of the oldest known English-language plays.
Feb. 16, 2017
Theater Reviews:
Evening at the Talk House
and
Escaped Alone
Wallace Shawn and Caryl Churchill go apocalypto.
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Feb. 12, 2017
The Town Hall Affair
Gets at the Best and Worst of Avant-Garde Theater
Inventive and complex, but also deliberately. maddeningly opaque.
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Feb. 9, 2017
Theater Review: This
Sunset Boulevard
Is Facedown in the Pool
Even the waxworks overdo it.
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Feb. 9, 2017
Theater Review: Encores! Shows Why
Big River
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The Encores! performance of
Big River
shows us why it’s never coming back to Broadway.
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Jan. 31, 2017
Theater Review: In
Yen,
London Misery Makes Great Company
Two wrecked young men and the mother who made them that way.
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Jan. 26, 2017
Theater Review: David Ives’s Sparkling, Hardened Rewrite of
The Liar
A 400-year-old play gets a fresh, bright rejuvenation.
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Jan. 19, 2017
Theater Review:
Jitney,
or How August Wilson Learned to Drive
As
Fences
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Jitney
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Jan. 18, 2017
Theater Review: Harriet Walter Owns This All-Female
Tempest
She, at least, is the stuff dreams are made on.
Jan. 15, 2017
Theater Review: BAM’s Bang-up Revival of
The Beauty Queen of Leenane
Ire in Eire.
Jan. 9, 2017
Theater Review: Cate Blanchett in
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Jan. 5, 2017
32 New Broadway and Off Broadway Shows Worth Seeing in 2017
Including a handful of film adaptations and an entire category of Sondheim productions.
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Dec. 16, 2016
Theater Review:
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“Extraordinary.”
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Dec. 12, 2016
Theater Review: A Pair of Reinvented
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Unmoored from tradition.
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Dec. 12, 2016
Theater Review:
In Transit,
a Musical Without Musicians
All a cappella.
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Dec. 8, 2016
Theater Review: The Shaggy Excellence of
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A polar opposite (in excellence) of
Dear Evan Hansen.
Dec. 8, 2016
Why Was
Hairspray Live!
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The bouffant isn’t quite as big and bubbly onscreen.
Dec. 8, 2016
The 10 Best Theater Events of the Year
The best!
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Dec. 7, 2016
Theater Review: Taking Minor Pleasure in
Tiny Beautiful Things
Cheryl Strayed’s advice columns become a book.
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Dec. 6, 2016
Theater Review: A Long Commute on
The Babylon Line
Failure to thrive.
Dec. 4, 2016
Theater Review:
Dear Evan Hansen
Moves Uptown
Not much change to an already remarkable musical.
Dec. 1, 2016
Theater Review:
A Bronx Tale
Gets Up and Starts to Sing
“Unmoving target.”
Nov. 30, 2016
Theater Review: The Downs and Ups of
Ride the Cyclone
Zombies, meet carnies (and
Glee
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Nov. 28, 2016
Theater Review:
Homos, or Everyone in America
“Blisteringly fine.”
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Nov. 21, 2016
Theater Review: Nicky Silver Tries to Move On, With
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Ordinary crazies lead ordinary lives.
Nov. 21, 2016
Should the Theater Really Be a Safe Space?
Depends what kind of safety you mean, Mr. President-elect.
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Nov. 20, 2016
Theater Review: Can
Sweet Charity
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A cheery-prostitute musical has an inherent problem.
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Nov. 17, 2016
Theater Review:
Dead Poets Society
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Ugh, captain, my captain.
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Nov. 15, 2016
Theater:
The Death of the Last Black Man …
A vigorous moment for theater about the black experience.
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Nov. 15, 2016
13 Best Songs Cut From Beloved Broadway Musicals
Sometimes a great song simply doesn’t fit the moment, the performer, or the change in direction.
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Nov. 14, 2016
Theater Review:
Natasha, Pierre …
on Broadway
At the Imperial, of course.
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Nov. 9, 2016
Theater Review:
Women of a Certain Age
A play that ended just as the news was beginning to turn.
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Nov. 7, 2016
Theater Review: the Brutal Divisions of
‘Master Harold’ … and the boys
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Theater Review: Lynn Nottage’s
Sweat
Labor, unresting.
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Nov. 2, 2016
Theater Review:
Notes From the Field
History by searing anecdote.
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Reviews:
Les Liaisons Dangereuses
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The Harvest
For Christopher Hampton and his collaborators, it’s a case of let them eat cake and have it too.
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Oct. 27, 2016
Theater Review:
Falsettos
Mendel and Marvin and Whizzer return.
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“I liked it a lot before it made a jarring turn about halfway through, and loved it thereafter.”
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