Comic-book iconoclast Frank Miller is his own best character. After his much-imitated, years-long run on Marvel Comics' Daredevil, he bullishly pushed the boundaries of how mainstream comics stories were told in milestone titles like The Dark Knight Returns, Ronin, and 300. His heroes are similarly self-assured beyond mere arrogance: They're above reproach, a standard that Miller maintains as a rejection of psychological realism. His comics often take place in decadent cities. But even in his Sin City comics, Miller maintains an undiminished — albeit deranged — sense of optimism and romance. In Sin City: A Dame to Kill For, Robert Rodriguez's new "translation" of Miller's hyper-violent neo-noir comics, Josh Brolin plays a sucker that pines for Eva Green's vicious (and frequently naked) femme fatale with a little help from killer friends Mickey Rourke and Rosario Dawson. Vulture talked to Miller about how he stays optimistic, what the future of comics looks like to him, and why he likes pissing off readers.
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