This is definitely not the Taylor Swift we remember. This is the full-blown pop-star version of our fair-haired country crossover: complete with shimmering hot-pants and with — gasp! — no sign of a guitar. On Jimmy Kimmel Live last night, she performed "Out of the Woods," the Jack Antonoff–penned chant — er, song — and officially set the tone for 1989. Whether or not you're onboard for pop-star Taylor Swift? That's up to you.
Panda Bear, the chillest dude in Animal Collective (impressive feat!) and the non-cyborg voice heard on Daft Punk’s “Doin’ It Right,” released a new EP today. The four-song Mr Noah is available to stream on Spotify right now, and it comes in advance of forthcoming full-length album Panda Bear vs. The Grim Reaper, which will be out on January 13. I will go ahead and declare the album’s initial prognosis “very promising”; when I saw him play a set of almost entirely new material last month, it was the least angry I have seen an audience get in a long time about someone not Playing the Hits. (Though, to be fair, I don’t think the two Venn diagram circles representing “Panda Bear fans” and “people who get visibly angry about things” actually touch.) With its big, God’s-pocket-change beat, the first single “Mr Noah” is definitely more percussive than the sound I usually associate with Noah Lennox, but it’s also got that creepy/childlike vibe that he’s always done very well. It sort of sounds like a playground chant drifting across an adjacent nuclear power-plant in a dubiously zoned part of town. I dig it.
It's not exactly a faithful cover (Where's the Left Eye rap interlude, Bette?), but there are some lovely bongos in this version of TLC's "Waterfalls." All kidding aside, Bette knows how to make this cover work without falling into deep, deep camp. TLC fans may giggle, but your mom might just call you to tell you how lovely she thinks this song is: "Who did the original?" And then you can tell her it's about AIDS. What a big day that'll be for you!
It's the time of the year again: Time to curl up with a Pumpkin Spice Latte, stock up on Halloween candy, and watch as many scary things as you can. Even though your instinct will tell you to Netflix a horror classic or run to the movies theater to see Annabelle or Ouija, let us suggest another option: music videos. Specifically these 13, the scariest music videos ever made. Needless to say, many of these are extremely NSFW, as well as NSFN (not safe for nighttime).
Just as Ryan Murphy promised, last night's episode of American Horror Story: Freak Show featured Jessica Lange singing a Lana Del Rey song. Does it matter which song? It's "Gods & Monsters," a bonus track from the deluxe edition of Born to Die, and they kept in the line about Jim Morrison, even though Freak Show is set in 1952. Anachronisms!
Entertainment Weekly reports that Oscar winner Jonathan Demme — who directed Silence of the Lambs as well as concert films such as Talking Heads' Stop Making Sense and Neil Young's Heart of Gold — will film the final two shows of Justin Timberlake’s 20/20 Experience world tour, which are taking place January 1 and 2 in Las Vegas, presumably to make a chilling psychological thriller that will haunt the dreams of generations to come. You still wake up sometimes, don't you? Wake up in the dark and hear the screaming of the J.T. fans?
There ain’t no party like an S Club 7 reunion party: According to the BBC, the beloved ‘90s Brit pop band will reunite for the BBC’s Children in Need benefit show on November 14, marking the first time that all seven members have performed together in more than a decade (even though it feels like yesterday in our hearts). "This is going to be the mega S Club party of all time," the band said in a statement to the BBC. We can’t wait to see Bradley sing and Rachel do her thing. But has Jo still got the flow? Find out on November 14!
Old favorites "Shake It Off," "Out of the Woods," and "Welcome to New York" are all there, as is the long-rumored "Bad Blood." "Track 3" has been renamed "Style," which is a great title for eight seconds of white noise. We refuse to believe "All You Had to Do Was Stay" and "I Wish You Would" are not already Taylor Swift songs.
James Blunt is as sick of his gentle cooing as you are. In an interview with Hello!, the singer apologized for the way "You're Beautiful" filled radio airwaves in the last decade. "[The song] was force-fed down people's throats ... and it became annoying," he told the tabloid. "And then people started to associate [me] with the same word." Blunt also complained that his label painted him as "an insanely serious person," all because of "a couple of over-emotional miserable songs." Well, they don't call him James Subtle.
When Canadian iTunes users saw that a new Taylor Swift song, "Track 3," was available for download, they might have assumed the song was a reworking of Blur's "Song 2," a piece of music that, like all the other inspirations for Taylor's 1989, comes from the '90s. The real song was even weirder: just 8 seconds of static, without a single reference to kissing in the rain. As all pop superstars eventually must, Taylor Swift was entering her Metal Machine Music phase — and fans loved it. The track hit No. 1 on the Canadian iTunes charts before being pulled. Listen to Taylor's stunning avant-garde mastery below, via Business Insider.
Annie feelings aside, what are your thoughts on this Sia rework of "You're Never Fully Dressed Without a Smile"? If you push the original deep into the back of your brain, her modern-day pop-ified version seems to work. For those of you too hooked on the original: Don't worry, they'll probably still sing the old version in the movie. With the children's voices and outdated reference to "Beau Brummelly." We can have this both ways!
Kesha announced last week that she is suing her producer Dr. Luke, a.k.a. Lukasz Gottwald, for sexual assault, with Kesha's lawyer alleging that the singer suffered years of "mental manipulation [and] emotional abuse" at the hands of her mentor. Dr. Luke responded in turn with a countersuit accusing Kesha of trying to extort him. Today, new evidence has emerged in the form of a 2011 deposition obtained by TMZ (and unsealed after a request from Dr. Luke’s lawyer) that reveals that Kesha previously swore under oath that Dr. Luke never drugged her and that the pair never engaged in sexual relations. In response, Kesha’s lawyer Mark Geragos told TMZ that unsealing the deposition was "a pathetic attempt to once again blame the victim” and that she lied initially because Dr. Luke “threatened to destroy Kesha's life and the lives of her family if she didn't cover up his sexual assaults." And so the sordid back-and-forth continues.
Every week, members of the Vulture staff will highlight their favorite new songs. They might be loud, quiet, long, short, dance-y, rawkin', hip, square, rap, punk, jazz, some sort of jazz-punk-rap fusion — whatever works for the given person in that given week. Read our picks below and please tell us yours in the comments. (Also, read music critic Lindsay Zoladz's review of Jessie Ware's Tough Love.)
Does it count as a comeback if No Doubt just released an album two years ago? Either way, "Baby Don't Lie" is Stefani's first solo single since 2008, and last night on The Voice, she premiered the music video. Most notably, the Harajuku backup dancers are gone (thank you, thinkpiece writers) and they've been replaced with weird seapunk screensaver monsters. And, because this is 2014, she's already been hit with inevitable plagiarism accusations. Welcome back, Gwen.
Your Tuesdays are not like Drake's, although I suspect that he'd much rather be at home watching the newest episode of Parenthood than at the club drinking out of a Styrofoam cup and hanging out with girls in scary masks. But his BFF ILoveMakonnen is in town for the week (Toronto, perhaps?), and he's gonna show him a good time. After all, he's got a DVR.
The video for Jessie Ware’s 2012 single “Wildest Moments” is a master class in stylish simplicity: just a single, unbroken shot of the London-based artist — looking a bit like a marble bust with a nose ring and an immaculate blazer — singing the song as the camera slowly orbits around her, caught in the gravitational pull of her quiet charisma. Especially in the U.S., this single off her excellent debut album Devotion served as most people’s introduction to Ware, and it felt rare to see a pop singer coming out of the gate with such sophisticated, un-showy confidence. (I know another Jessie who could stand to learn a thing or two from her.) Perhaps it had something to do with the fact that she’d first honed her talent a few steps behind the spotlight, touring as a backup singer for British artist Jack Peñate and filling out the sound of Florence + the Machine’s second album, Ceremonials. But the “Wildest Moments” clip has its own kind of transfixing — if slightly evasive — star power: As the camera moves around her, Ware’s gaze occasionally locks intensely with the viewer’s, and then, in the next breath, slips away. The song flickers similarly between extremes: “Baby, in our wildest moments, we can be the greatest / Baby, in our wildest moments, we can be the worst of all.”
Nothing but the Lordiest from Lorde, whose curated Mockingjay soundtrack is as Lorde as it gets: Stromae featuring Pusha T, Q-Tip, and HAIM; the Chemical Brothers featuring Miguel; Charli XCX featuring Duran Duran's Simon Le Bon; and a track from the elusive Grace Jones. Even a Kanye remix of herself, because if you're given permission to curate something, you go to Kanye and ask him to remix you first. Here's the full track list:
More of what's to come from the new Taylor Swift album, 1989, a track called "Welcome to New York," clearly inspired by Swift's own experience moving to New York. (Well, at least, her experience of buying a penthouse apartment in New York.) It certainly captures a bit of that big=city wonderment, doesn't it? I guess someone already found her way out of the woods (and into Times Square).
The Brunch Wars finally have their own (Eggs) Benedict Arnold: After igniting a media firestorm with his controversial remarks on the weekend meal, Julian Casablancas now says brunch is fine after all. Back in September, Casablancas told GQ the he left New York because he didn't like how many more "white people having brunch" he could stand to look at, and like a modern-day Gavrilo Princip, Casablancas's lone shot soon sparked a larger conflict. Brunchers of all races took up barricades on Twitter, while the New York Times unveiled a full op-ed assault upon the meal. Now Casablancas himself has turned to Twitter to play peacemaker:
Jessie Ware's 2012 debut record Devotion was a wonderful, romantic, smooth as hell R&B album; her follow-up, Tough Love, is packed with just as many lovely, dynamic, powerful, restrained, beautiful songs. To put it simply: We are hooked. Vulture spoke to Jessie Ware about the record, working with Miguel, Ed Sheeran, and BenZel, sexy-talking breakdowns, channeling Beyoncé, and how pork buns influence her.