- 4/29/13 /
- Comment
Saltz on the Met’s Photography and the American Civil War
A bracing look at the first war that was conducted in front of the camera's cold eye.
Art Review
- 4/13/13 /
- Comment
Saltz on the Met’s ‘Impressionism, Fashion, and Modernity’
We see a few painters blowing up every convention there was.
- 3/4/13 /
- Comment
Saltz on Piero della Francesca at the Frick
Take the day off and park yourself in front of his Virgin and Child.
- 2/25/13 /
- Comment
Saltz Revisits the 1913 Armory Show
When new art became modern art.
- 1/28/13 /
- Comment
Saltz: The Met’s Matisse Exhibit Is Intoxicating, Possibly Dangerous
What makes this show so ravishing is, improbably, that it’s arranged like an art-history-class slideshow time line.
- 1/7/13 /
- Comment
Saltz: MoMA’s Inventing Abstraction Is Illuminating—Although It Shines That Light Mighty Selectively
Insiders will go gaga here. But I wonder whether larger audiences will grasp the way this kind of art thrust itself to the fore in the West.
- 11/29/12 /
- Comment
Saltz: Is Glenn Beck’s ‘Obama in Pee-Pee’ Actually Art?
Yes, but it unintentionally reveals something about the artist.
- 11/12/12 /
- Comment
Saltz: How I Came to Embrace Richard Artschwager’s Weirdness
How he finally won over our art critic.
- 10/29/12 /
- Comment
Saltz: Picasso’s Monochrome Paintings Display a Rainbow of Emotion
Brilliantly conceived and installed by Carmen Giménez, the Guggenheim's show zeroes in on Picasso’s use of black and white and gray.
- 10/23/12 /
- Comment
Jerry Saltz: The Scream Is Coming
The Munch that ate New York.