- 5/20/13 /
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Jerry Saltz and Justin Davidson on the Restoration of Donald Judd’s Loft
Our art and architecture critics walked through it together.
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Our art and architecture critics walked through it together.
But we'll print you out a copy for $10 if you want.
For the first time in eleven years, the hand on the tiller at Lincoln Center is changing.
Curator Cecilia Alemani is installing a canteen that pays homage to the Soho restaurant.
Dueling New York gallery shows, followed by a career retrospective at the Whitney. But the most powerful American artist has plenty left to prove.
Basta!
A bracing look at the first war that was conducted in front of the camera's cold eye.
Opening May 12, visitors briefly gain godlike control over wet weather.
"Sweat poured off my forehead as my body readjusted into an entirely new carriage. My ass seemed to turn into a shelf-thing."
Munch's The Scream? Mags will give you something to scream about! Degas's Classe de Danse? More like Classe de Dame!
It was doomed to death as an art museum from the beginning.
If the museum’s architects can’t figure out a way to use the building, that is a failure of imagination.
Between online sales and art fairs, fewer and fewer people are showing up to see art in its natural habitat.
She's more than a lady who sleeps in glass boxes.
Blame Marina Abramovic.
Friday was her first performance.
Friday was her first performance.
And which of them were sold.
The father of art world multiculturalism has died.
When new art became modern art.
"An artist … preternaturally acute and copacetic, as oddly visionary and just odd."
These belong in the Whitney.
The grand opening of this converted disco is the biggest thing to hit West Chelsea since Hurricane Sandy.
Whatever "outsider" means.
What makes this show so ravishing is, improbably, that it’s arranged like an art-history-class slideshow time line.