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New York Magazine

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The Cold War Is Over

They aren’t as sad about the end of their show as you might think.

By Jen Chaney

Where’s the Train Wreck?

The Recovering is a 534-page palimpsest of Jamison’s battle with alcoholism that doesn’t adhere to the typical recovery narrative structure.

By Ruth Shalit Barrett

Nathan Lane Dances With the Octopus

In Angels in America, the definitive musical-comedy star is playing the darkest character imaginable. He’s never been sunnier.

By Isaac Butler

Life on Oyelowo Street

He’s tackled roles from MLK to Othello. But with Gringo, he’s ready to make you laugh.

By Joy Press

The First Great Movie of the Trump Era

It began as a rebuke to Obama-inspired dreams of racial harmony and became a conduit for fears reignited by the rise of the new president.

By Jada Yuan and Hunter Harris

Can You Revise a Book to Make It More Woke?

When a YA novel was criticized for racism prior to publication, the author attempted something radical — she pushed its release date and rewrote it.

By Lila Shapiro