The 1957 made-for-TV musical arrives on Broadway.
Plus The Madrid, Passion, The Dance and the Railroad, Katie Roche, and Much Ado About Nothing.
Plus the Crayola nonsense of The Jammer.
"Never in the long history of towels and crotches has there been such a knot."
Rangy, riff-y, unapologetically self-helpful.
"A small town where everybody's from somewhere else."
She's never been better.
The season of the independents.
Plus What Rhymes With America.
"Cheeky, dorky, delectable comic-book theater is alive and well."
Great musical palookaspeak.
One of them is a terrorist.
Who’s Afraid of Virginia Woolf?, Death of a Salesman, and more.
"What Rebeck has learned from her time in Hollywood, it seems to me, is that audiences are stupid."
A play about porn that never gets off.
A pretty thin show — within a pretty good show.
Great Recession, great Annie.
Shuler Hensley, big star.
On two Off Broadway plays that deal with Islamofascism and Islamophobia.
An inverted Virginia Woolf, a night besotted with darkness and drink where virtually nothing honest is spoken aloud — until the final, fatal malediction.
It can't shock the way it once did, but it sure does land its punches.
Harper Regan and The Old Man and the Old Moon.
"When, I ask, will we get a youth-driven big-ticket revival?"
An Enemy of the People and Through the Yellow Hour.
An eight-hour play that swallows its actors alive.