- 5/16/13 /
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Why the Upfronts Are Still Important (But Probably Won’t Be Forever)
There's a reason the networks spend so much on shrimp and Stoli every spring, and it's not that they like to party.
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There's a reason the networks spend so much on shrimp and Stoli every spring, and it's not that they like to party.
He's making another push for à la carte billing.
At least it opened before this weekend's Oz movie. That's the only positive we can find here.
The English version will be out in the States on April 19.
Thanks to Adele.
Vulture has learned that the studio has taken the unusual step of hiring two different screenwriters to work on dueling Mummy scripts.
Cate Blanchett is still attached as the wicked stepmother.
Ron Howard is in early talks for a movie based on a Nathaniel Philbrick book.
Abrams's Bad Robot is developing the film at Paramount.
With Spielberg possibly as executive producer.
The Ivan Reitman project was dead until it topped last year's Black List.
Twitter and Nielsen have announced a new kind of social-media rating to measure active viewership. Yes, but how does that affect Community?
Clash had secretly been at work on a new character for the studio over this past summer and fall.
The series of sci-fi novelettes is a self-publishing smash.
In past years low-rated new shows like these would have been gone in two weeks. Here are the three reasons they're still hanging on.
He directed the last four Harry Potter films.
Three reasons to be hopeful, and two that say "Not so fast ... "
The computer game. Remember? With the Nazis?
And a few other questions.
This is not a drill.
Studio executives seem to have realized that teens aren't the only ones who have box-office money.
He really wants to be on the Great White Way.
Maybe. Fellow actors pretty much agree with him.
Argo, Taken 2, and Sinister end the weekend in a tight finish.
Nikki Finke's parent company is doubling down on entertainment news. But is there a place for the hobbled institution anymore?