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Displaying all articles tagged:
Theater Review
theater review
Nov. 5, 2023
What’ll It Be? At
FOOD,
the End of the World As We Know It.
A farcical, funny, and haunting commentary on the industrialized, globalized diet.
By
Sara Holdren
theater review
Nov. 2, 2023
Sabbath’s Theater
Can’t Get Out of Its Head
An adaptation of Philip Roth ends up feeling uncharacteristically tame.
By
Jackson McHenry
theater review
Nov. 2, 2023
I Need That
Does Not Spark Joy
Danny and Lucy DeVito, as an almost-hoarder and his daughter, are trapped in a play full of junk.
By
Sara Holdren
theater review
Nov. 2, 2023
Bring a Bucket and a Mop for This
Snatch & Tainty
A juicy, joyful, bodily-function-obsessed trip below the belt.
By
Sara Holdren
theater review
Nov. 1, 2023
The ‘Yes, We Can’ Spirit of
Poor Yella Rednecks
Qui Nguyen’s optimistic, funny immigration tale.
By
Sara Holdren
theater review
Oct. 31, 2023
The Box-Checking Work Begins:
Merry Me
A self-described lesbian sex comedy leans on its
Angels in America
references.
By
Sara Holdren
theater
Oct. 31, 2023
Money, Love, and Music, All at Odds in
I Can Get It for You Wholesale
An underseen musical revived, full of intriguing contradictions.
By
Jackson McHenry
theater review
Oct. 29, 2023
Stereophonic
Goes Its Own Way, and Finds Its Groove
A very
Rumours
rock saga immerses you in the act of creation.
By
Jackson McHenry
theater review
Oct. 26, 2023
Covenant
Is Best When It’s At Its Pulpiest
Why aren’t there more plays that lean into being genre horror?
By
Sara Holdren
theater review
Oct. 23, 2023
Make Like a Tree: Renae Simone Jarrett’s
Daphne
Ovid’s telling of the myth, reimagined.
By
Sara Holdren
theater review
Oct. 23, 2023
The Last Midnight: Sondheim and Ives’s ‘Here We Are’
A strange, dark, fragmented, and compelling final message from the master.
By
Sara Holdren
theater review
Oct. 20, 2023
Language As Engine:
Helen.
and
Mahinerator
A feminist Trojan War parable and a monologue that leaps right over the desk to grab you.
By
Sara Holdren
theater review
Oct. 19, 2023
How It Went Down, Revised:
Salesman之死
and
Room, Room, Room …
Two plays that find power in strange historical corners.
By
Sara Holdren
theater review
Oct. 13, 2023
A Full, Fierce Day in Sean O’Casey’s Dublin
A six-hour, three-play
DruidO’Casey
marathon where the ’20s rhyme with ours, unsettlingly.
By
Sara Holdren
theater review
Oct. 12, 2023
Gutenberg! The Musical!
’s Broadway Dreams Mostly Come True
Book of Mormon
dynamos Andrew Rannells and Josh Gad reunite on Broadway with a new mission: to elevate a delightful yet padded-out show.
By
Sara Holdren
theater review
Oct. 11, 2023
A Long Hike in the Woods:
The Refuge Plays
Nathan Alan Davis’s three-part epic falls short of its big ambitions.
By
Jackson McHenry
theater review
Oct. 10, 2023
Here’s to Them. Who’s Like Them? Damn Few.
Turns out what
Merrily We Roll Along
needs most is three actors who can really bring it home, and here they are.
By
Sara Holdren
theater review
Oct. 3, 2023
Jaja’s African Hair Braiding,
Where the Stories Intertwine Too
And the wigs deserve an award all their own.
By
Sara Holdren
theater review
Sept. 29, 2023
Melissa Etheridge Takes the Aw-Shucks Road to Broadway
My Window
is a night of songs and personal biography, loosely hung together.
By
Jackson McHenry
theater review
Sept. 27, 2023
A Vintage Satire That Still Has Sting:
Purlie Victorious
Returns
Ossie Davis’s plantation farce retains its wit and snap.
By
Sara Holdren
theater review
Sept. 22, 2023
Slapstick and Plague, in
Mary Gets Hers
Wacky fun with medieval horrors.
By
Sara Holdren
theater review
Sept. 20, 2023
Little Shop of Blah-Blah: Theresa Rebeck’s
Dig
A redemption play that betrays its own premise.
By
Jackson McHenry
theater review
Sept. 19, 2023
Did a Bot Write This Review of
Prometheus Firebringer
? No, and Here’s Why Not.
A script written and performed by AI in real time has unexpected effects on an audience.
By
Sara Holdren
theater review
Sept. 18, 2023
Job
Pays Off and Clocks Out
“Like a good TV crime drama, it’s manipulative in a value-neutral sense: It knows the position it wants to put you in, and it puts you there.”
By
Sara Holdren
theater review
Sept. 17, 2023
In
Swing State,
Bleak Politics in the Tall Grass
Rebecca Gilman’s story is hemmed in on all sides.
By
Jackson McHenry
theater review
Sept. 14, 2023
Rachel Bloom Sets Avoidance to Song in
Death, Let Me Do My Show
A terrible March 2020, exposed but not too exposed.
By
Jackson McHenry
theater review
Sept. 12, 2023
The Mortal Truths of Annie Baker’s
Infinite Life
“This is part of Baker’s brilliance: to ruffle feathers with the calmest of breezes.”
By
Sara Holdren
theater review
Sept. 10, 2023
Shadows and Seams, Both Visible:
No Good Things Dwell in the Flesh
In Christina Masciotti’s play about a Queens tailor facing her career’s end, the principal characters are everything.
By
Sara Holdren
theater review
Aug. 30, 2023
A
Tempest
in the Park That’s (Mostly) No Thoughts, Just Vibes
In tone and temperament, this production owes much more to Disney than it does to Shakespeare.
By
Sara Holdren
theater review
Aug. 18, 2023
Improv on the Roof, Catharsis in Aisle 5
What Else Is True?
and
Joan of Arc in a Supermarket in California
leave our critic saying, “Yes, and …?”
By
Sara Holdren
theater review
Aug. 10, 2023
The Shark Is Broken
Goes Chumming for Your Affection
Ian Shaw’s play bemoans big action movies’ death grip on the culture — while also venerating the voracious progenitor of them all.
By
Jackson McHenry
theater review
Aug. 3, 2023
You Made a Musical … Out of a DeLorean?
Back to the Future: The Musical
is a carefully faithful spectacle.
By
Jackson McHenry
theater review
Aug. 1, 2023
Pregaming With Three Postcollege Brats (Plus a Dog) at
Toros
“The play keeps reminding you it’s a performance, which is nice in a time when many shows feel like they just want to be adapted into film or TV.”
By
Jackson McHenry
theater review
July 31, 2023
The Epic and Hyperspecific in
Half-God of Rainfall
and
Let’s Call Her Patty
The gods shoot hoops; Rhea Perlman chops onions.
By
Jackson McHenry
theater review
July 24, 2023
The Cottage
Needs More Doors to Slam
Laura Bell Bundy and Eric McCormack lead a too-tidy farce.
By
Jackson McHenry
theater review
July 20, 2023
Notes on Teamwork:
Flex
and
Orpheus Descending
Two midsummer trips to the South.
By
Jackson McHenry
theater review
July 20, 2023
Here Lies Love
Is an Unsettlingly Good Time
A show that portrays Imelda Marcos as blithe naïf and corrupt co-tyrant—and also enabler of a rousing dance party.
By
Jackson McHenry
theater review
June 28, 2023
A
Hamlet
in the Park That Puzzles the Will
Kenny Leon’s production gestures at a lot without capturing any one thing.
By
Jackson McHenry
theater review
June 26, 2023
Dropping by the Local Nazis: Alex Edelman’s
Just for Us
Plus: Liz Kingsman’s
One Woman Show,
and the state of solo comedy meta-theater.
By
Jackson McHenry
theater review
June 22, 2023
Once Upon a One More Time
Bungles Britney on Broadway
It’s not the way I planned it.
By
Jackson McHenry
theater review
June 15, 2023
Physicians, Preen Thyselves:
The Doctor
A play about the self-serving sanctimony of the newly canceled.
By
Jackson McHenry
theater review
June 6, 2023
Patterns of Addiction in
Days of Wine and Roses
and
Wet Brain
One decorous, one unleashed.
By
Jackson McHenry
theater review
June 5, 2023
Death Comes to the Reunion in
The Comeuppance
High-school friends, pregaming with jungle juice and angst.
By
Jackson McHenry
theater review
June 1, 2023
Knock-Knock:
Grey House
Brings Horror Tropes to Broadway
If you find Laurie Metcalf in a cabin in the woods, don’t go in.
By
Jackson McHenry
theater review
May 25, 2023
Looking for Connection in
Primary Trust
and
The Fears
Isolation is on everyone’s mind.
By
Jackson McHenry
theater review
May 22, 2023
Monsoon Wedding
Is a Lively Party But a Watery Musical
“The songs tend to idle in neutral, repeating ideas already established in dialogue, never opening up into something more.”
By
Jackson McHenry
theater review
May 18, 2023
Basketball and Debutante Balls in
King James
and
The Cotillion
Plays about the codes of masculinity and femininity, LeBron and dance steps.
By
Jackson McHenry
theater review
Apr. 27, 2023
Lorraine Hansberry on Hashtag Activism:
The Sign in Sidney Brustein’s Window
Oscar Isaac and Rachel Brosnahan star in her play about fashionable commitment to social change.
By
Jackson McHenry
theater review
Apr. 26, 2023
New York, New York
Barely Scratches the Surface of New York, New York
It doesn’t make it here.
By
Jackson McHenry
theater review
Apr. 25, 2023
Laura Linney and Jessica Hecht Find Depth in the Small Scale of
Summer, 1976
David Auburn just lets them talk, and something great happens.
By
Jackson McHenry
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