- 10/10/12 /
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Seitz on Nashville: This Country-Music Dallas Is One of the Fall’s Best New Shows
It’s a pleasure to watch a show that knows what it wants to be and has the chops to pull it off.
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It’s a pleasure to watch a show that knows what it wants to be and has the chops to pull it off.
Chicago Fire takes itself seriously, but not too seriously, and because it has a good heart, it’s easy to like.
Did this new CBS show have to seem so calculated, so pandering, so drama-free?
This new ABC horror series plays something like Fantasy Island's sinister cousin.
This is a slight but watchable show, yet more brain candy from CBS's vending machine.
Like a professional sailor, this show never makes a big deal of its excellence.
But I can't explain why, exactly.
Fox should have called this show New Guy! (Get it?)
Its no-fuss directness is appealing. We may come back in future weeks to get our Dennis Quaid fix.
The long-awaited show from the former Office writer-star premieres tonight.
When an LGBT-friendly show like this can debut and be greeted with a collective shrug, we suppose that's kind of a positive thing?
This new medical-crime drama premieres tonight on Fox.
Created by Lost's J.J. Abrams, this new NBC show about a world without electricity needs to turn on its bright lights if it hopes to survive.
This new NBC sitcom isn't terribly interested in the kids, which is a good thing.
The show, which premieres its fifth season tonight, is grindhouse plus art house.
The show has a faux-naughtiness, dipping its big toe in taboo, then rinsing it with progressive messages.
The post-Civil War drama is a well-meaning botch.
Season One was anything but subtle, and Two doubles down on its Boss-iness.
The show's star doctor is the umpteenth variation on Hugh Laurie's House.
Has there ever been a more effective merger of science and sensationalism?