Skip to content, or skip to search.

Filtered By:
Theater
  • Posted 8/1/14 at 1:05 PM
  • Theater

Theater Review: Between Riverside and Crazy Lies Excellence

Even on the rare occasions when they’re legible, the notes I take in the theater are generally useless — except in those cases where boredom causes them to mutate into to-do lists. I make no apology; there are plays to which a perfectly reasonable critical response may be “wash delicates” or “order Netflix.” In fact, it’s a lack of notes that’s most telling. After Between Riverside and Crazy last night, I checked my Gold Fibre Antique Ivory pad and found that once I’d gotten past my pre-show ritual of describing the set (an excellent revolving Upper West Side apartment by Walt Spangler), I’d written … nothing.  As soon as the first scene began, I was gone: lost in its world.

Stephen Adly Guirgis's mastery. »

  • Posted 7/30/14 at 9:00 PM
  • Theater

Theater Review: Sex With Strangers Has a Sitcom Touch, But a Good One

If you were trying to devise a light comedy for overheated August audiences (and theaters closing out their subscription seasons) you might do worse than a two-hander with a clickbait title and a chilly setting. Perhaps you’d have the curtain rise on an inn in Michigan as a March snowstorm casts cool blue light on a woman drinking a big glass of red wine while ice drips loudly off the eaves outside. Anyway, that’s what Laura Eason has done in Sex With Strangers, at Second Stage, making it seem, but only for the first few minutes, like part of the New York theater world’s late-summer ritual of dumping inventory too insubstantial for the rest of the year. For there is sexy Olivia, curled up in her stretchy separates, proofing the manuscript of her novel, for god’s sake. Is this a play or a travel ad at the back of The New York Review of Books?

Novelist v. Twitterer. »

Watch the Original Mary Martin Peter Pan and Think Lovely, Wonderful Thoughts

With this Allison Williams news upon us, let us be neither the first nor last to point you toward the original Peter Pan starring Mary Martin. It's a nostalgia fest for those of us who wore out the VHS, but also evidence that a woman could (and did!) play the most wonderful version of Peter Pan there ever was. Williams surely has big shoes to fill. (That is, if her version of Peter Pan wears shoes.)

Audra McDonald Sings Yahoo Answers on Fallon

On Wednesday, six-time-Tony-winner Audra McDonald returned to The Tonight Show to sing the transcripts from some ridiculous Yahoo Answers, accompanied on piano by Jimmy Fallon and The Good Wife's Josh Charles. If you enjoyed McDonald's Tony-winning performance as Billie Holiday in Lady Day at Emerson's Bar & Grill, you'll love hearing her take on classic tracks like "How can I be the life of the party?," "Does vodka really kill bees and wasps?," and "I swallowed an ice cube last night and then it disappeared, and I'm wondering if it's stuck." Truly effervescent.

  • Posted 7/21/14 at 10:00 PM
  • Theater

Theater Review: Piece of My Heart Really Needed Some Brains

Jersey Boys, which should have been a cautionary tale, has become instead a how-to guide. (Half a billion in Broadway receipts will do that.) It has not only spawned an infestation of jukebox biomusicals but also codified the key elements of the genre. First among these is that there should be a baldly narrated framing device (a Carnegie Hall concert, a death, a reunion) from which the plot flashes back to the difficulties of the songwriter’s early life (an overprotective mother, the Holocaust). The intervening years should be précised as quickly and hysterically as possible — crises only — leaving plenty of room for songs whose necks have been twisted so their unlikely emergence in the narrative will elicit a gasp of surprise. (Optional: These songs should be plunked out on a piano by a Jewish shlemiel before a trio of bespangled black singers magically materializes to apply the shamalamadingdong.) Throughout, characters should use dialogue not to advance the plot but to provide information everyone onstage would already know. And all this must lead to a curtain-call sing-along of the musician’s catchiest hit. 

"A breakthrough in badness." »

  • Posted 7/17/14 at 7:32 PM
  • Obit

The Lady in Room 309: How Elaine Stritch Understood New Yorkers Who Secretly Feel Like Frauds

Elaine Stritch wasn’t the star of Company, but she sure as hell made herself the star of its making-of documentary. Dean Jones and the rest of the actors be damned; the drama of her failure to master her big number, “The Ladies Who Lunch,” all but commandeers D.A. Pennebaker’s 1970 chronicle of the marathon recording sessions for the musical’s cast album. Muttering and grimacing, and looking in her bucket hat like a geezer at the end of a weeklong fishing trip, she keeps tripping over the notes and especially the feelings of the Stephen Sondheim showstopper, as if she were just learning it. Then, having begged for and been granted an expensive extra day to record, she returns all coiffed and made up and totally nails it. Presto, the film has its arc and its climax.

Sophistication as a cloak, or a suit of armor. »

‘I Want to Be Original’: My Afternoon With Elaine Stritch

Ten months ago, I stumped Elaine Stritch. As we sat around her kitchen table, I mentioned that in her one-woman Broadway show, she had said she wished she had been able to write Noel Coward’s epitaph. Who, I wondered, would she want to write hers?

Much of my two hours with her was raucous. This moment was the only time she didn’t either cackle with glee over some joke or story or bark at me for some nettlesome question she didn’t like.

“I never thought of that,” she said with wide eyes. I waited for her reply, but it became clear she really hadn’t thought much about what happened to her after her death. “A logical question. A hard question.” I gave her a few more beats to consider a response. “I know a lot of people that I’m very fond of, who I’d like to know what they thought of me.”

Read More  »

Remembering Elaine Stritch: A Reading List

Elaine Stritch, who passed away today at the age of 89, became famous — as actors and actresses do — for delivering lines on stages and screens. But many of Stritch's most memorable lines came off the stage, where she was known for her salty candor. In remembrance of the legendary actress, Vulture compiled New York's coverage of Stritch's life and career, including some of the best quotes about and by Stritch. Prepare to cackle, and maybe to cry a little, too. 

Read More  »

  • Posted 7/17/14 at 5:00 PM
  • Theater

Theater Review: The Cornpone Charms of Pump Boys and Dinettes Are Almost Enough

Can friendliness be baked into a song, the way peaches are in a pie? On the evidence of Pump Boys and Dinettes, the final presentation of the Encores! Off-Center series this summer, the answer is yes. More a country-music revue than a musical, Pump Boys offers a series of relentlessly ingratiating clap-alongs that melt sophistication as if it were a pat of butter on a steaming biscuit. Sorry for the grits-and-gravy imagery, but after sitting through the show’s 19 numbers — rockabilly paeans to roadside culture, a cappella hymns to catfishing, twangy odes to Mamaw, boot-scooting two-steps, and honkytonk declarations of a mostly notional ideal of female empowerment — my New York brain is basically Southern-fried.

"It would be a hard sell on today’s Broadway." »

  • Posted 7/17/14 at 1:39 PM
  • R.i.p.

Elaine Stritch Dead at 89

After a long, full, and varied career and a long, full, and varied life, Elaine Stritch passed away this morning. She was 89.

Born in Detroit on February 2, 1925, Stritch left Michigan for New York to study at the New School's Dramatic Workshop alongside classmates Marlon Brando and Bea Arthur. She made her stage debut in 1944 and her Broadway debut in 1946, in Loco. She'd go on to a legendary stage career that included five Tony nominations, with her finally winning her first in 2002 for her one-woman show Elaine Stritch at Liberty. She is maybe best known for originating the role of Joanne in Stephen Sondheim's 1970 musical Company. (Read a full, wonderful timeline of here career here.)

Read More  »

Josh Gad Is Wary of Doing Frozen on Broadway

Would the cast of Frozen, comprised almost totally of live-theater veterans, ever consider joining the inevitable Broadway musical adaptation? Both Idina Menzel and Kristen Bell have said they’re open to the idea of reprising their roles onstage, while Jonathan Groff begged off the idea, claiming he’s not as hot as his cartoon character: “It would be a big letdown. I’m not blond or six-foot-five.” This week, Vulture ran into Josh Gad at the New York premiere of his new Zach Braff movie Wish I Was Here, and we asked the onetime Tony nominee whether he’d be open to playing his snowman character Olaf in the live-action adaptation. “You know … never say never,” he offered, gingerly. “There’s nothing on the page enticing about dressing up in a snowman outfit eight shows a week, but I love the creative team enough to at least hear what they have to say … If they say we have an idea, I may be open to it. But when you say ‘Frozen, the musical,’ it’s not something where I’m immediately like, ‘Yes, I must do that.’” If you'd put all your hopes into a cast reunion, should you let it go? (Sorry, we'll show ourselves out.)

  • Posted 7/16/14 at 1:16 AM
  • Theater

Rocky the Musical Is Exiting Broadway

Looks like the doomed Tupac musical will have a pal to commiserate with in Broadway Musical Heaven: The New York Times reports that Rocky the Musical, based on the 1976 Sylvester Stallone movie, will end its U.S. run on August 17 (the original German incarnation, Hamburg's Rocky das Musical, is still going strong). While not a total disaster, Rocky received mixed reviews, had difficulty filling seats over the course of its five month run, and failed to garner a Tony best musical nomination. Here's hoping Rocky the Musicals II through V have better luck.

The Tupac Musical Is Already Closing

Broadway's Tupac musical Holler If Ya Hear Me will shutter Sunday after only six weeks of performances, the New York Times reports. One of the worst-selling musicals in recent years, the show struggled to attract an audience, with producer Eric L. Gold saying in a statement Monday that he made a "rookie mistake" in underestimating how much money the show would need to keep running and blaming the closure on the "financial burdens of Broadway." Although, if you ask us, the lack of Tupac holograms in the show was probably a factor. People love those things.

  • Posted 7/13/14 at 9:11 PM
  • Theater

James Franco’s The Long Shrift Never Seems to End; Atomic Ends Just the Way You’d Think, Only Worse

For all the glibness of his image-crafting, James Franco appears to be sincere in his regard for actual artistic production. And I say this not just in hopes of avoiding the title of Little Bitch 2. Uptown, in Steinbeck’s Of Mice and Men (which continues through July 27), he offers a serious and accomplished performance as the itinerant farmhand George; is it his fault if he looks hot doing so? Downtown, as the director of a new play called The Long Shrift, he’s likewise humble, the opposite of showboating. Unfortunately, the opposite of showboating, in this case, is sinking.

Quasi-realism turns into quasi-surrealism. »

They’re Remaking Cats With a Rapping Cat

London's West End is reviving the musical Cats once again — which is not a surprise considering the success of the previous runs and that cats are still huge on the internet. But while he isn't at the point of working Grumpy Cat or Lil Bub into a production (even my own suggestion makes me shudder!), Yahoo reports that composer Andrew Lloyd Webber is planning to spice things up with some "hip-hop flavor":

Read More  »

  • Posted 7/2/14 at 12:45 PM
  • Theater

Theater Review: A Devil You Do Know, in Randy Newman’s Faust

“It’s not the length,” a friend said after seeing Randy Newman’s Faust last night, “it’s the Goethe.” Indeed, the Encores! Off-Center concert of the 1995 musical was plenty swift, its book (such as it is) jettisoned by narration, most of it provided by Newman himself as the devil, that came amazingly close to not outstaying its welcome. But even a brief two hours was enough to make clear what a mess this show is, and why, after a high-power concept album and full stagings in La Jolla and Chicago, it never got to Broadway, or even off. The original story, a high point of European Romantic sublimity, has been reduced by Newman to the lowest sort of sophomoric spoofery, as the devil and the lord fight not for the soul of God’s favorite human — a despairing scholar, in the Goethe — but for a nitwit Notre Dame undergrad who fancies himself a punk rebel. With the engine of the plot thus disconnected, amusing if knee-jerk blasphemies are left to provide the only narrative spark: God is a “master of bullshit” who is bored to the point of golf. The devil is no less dull.

"The odd thing about Newman’s Faust is that there is a gorgeous score hidden within it." »

Poll: Dave Chappelle Fans on His Legacy and Return to the Stage

Dave Chappelle closes out a two-week-long residency at Radio City Music Hall tonight, marking his return to the big stage after a ten-year hiatus. Vulture caught up with fans outside the venue this week to discuss his legacy, their impressions, and why his return could be a game-changer.

“I think he’s going to revitalize the whole comedy scene." »

Shia LaBeouf Also Chased a Man Through Times Square Yesterday

According to video obtained by the New York Post, Shia LaBeouf briefly chased a man through Times Square yesterday, prior to his arrest at a performance of Broadway's Cabaret. The video, which can be seen at the Post's site, is supported by testimony from an unnamed publishing-industry employee and his girlfriend, who claimed that LeBeouf was after a bag of McDonald's.

“He really wanted whatever was in that bag. He had so much focus … If there were French fries in the bag, maybe he really wanted to eat them, ” a witness said. He added, “He was dodging people and and yelling, ‘Yo, come on!’ … He was on a mission. It was so bizarre.”

TMZ, however, has photos that definitely show that the man Shia was chasing after held not a bag of McDonald's, but rather a tan cap that was presumably not made of French fries.

We will continue to update this bizarre and unfortunate story as it unfolds.

Shia LaBeouf Arrested at Cabaret Performance

Here's another item for the long list of Shia LaBeouf's erratic behavior: On Thursday night, he was escorted out of a performance of Broadway's Cabaret in handcuffs after causing a disturbance during the first act. According to Variety, police say LaBeouf was arrested during intermission after smoking inside the Studio 54 theater and acting "loud and disruptive." Cast member Danny Burstein announced on Facebook, "Ladies and gentlemen, this is your places call for Act II. Also, to let you know, Shia LaBeouf has just been escorted from the building in handcuffs." He's been charged with two counts of disorderly conduct and one count of criminal trespassing.

Eyewitnesses say his behavior before the show was bizarre. »

  • Posted 6/26/14 at 9:04 PM
  • Theater

Theater Review: Jonathan Larson Before He Blew Up Big, on View in tick, tick ... BOOM!

The plight of promising young artists is a subject that’s infinitely fascinating to promising young artists. If they fulfill that promise, the rest of us may retrospectively find the plight fascinating as well. Gypsy, Merrily We Roll Along, even Jersey Boys show us how successful performers or creators got that way despite various adversities. We wouldn’t be interested if they hadn’t. 

"He couldn’t help noodling around with puns and pastiche when he should have been aiming higher." »

Masthead

Culture Editor
Lane Brown
Editorial Director
Gilbert Cruz
West Coast Editor
Josef Adalian
Senior Editor
Kyle Buchanan
Senior Editor
Denise Martin
Senior Editor
John Sellers
Senior Editor
Amanda Dobbins
Staff Editor
Margaret Lyons
Associate Editor
Jesse David Fox
Associate Editor
Lindsey Weber