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song review

The Quiet Strength of Selena Gomez’s ‘Lose You to Love Me’

“Lose You to Love Me” is naked honesty, lyrically and musically. By Craig Jenkins

a long talk

The Face of Korean Cinema Is Anxious, Afraid, and Full of Metaphors

Song Kang-ho on Parasite and the exquisite, existential pain of acting. By E. Alex Jung

joker

An Afternoon at the Joker Stairs, New York’s Newest Tourist Attraction

On the weekends, crowds start arriving to this unassuming corner of the Bronx as early as nine o’clock in the morning. By Nate Jones

j'accuse

How High-Frame-Rate Technology Killed Ang Lee’s Gemini Man

It would be silly to blame the film’s failure on the tech, but I’m going to go ahead and blame the tech. By Bilge Ebiri

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Lizzo Addresses ‘Truth’ About ‘Truth Hurts’ Plagiarism Allegations “The creator of the tweet is the person I am sharing my success with … not these men.”
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Corey Stoll, Nadia Bowers on the ‘Intimacy’ of Doing Macbeth As a Married Couple By Jackson McHenry

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profile Bong Joon-ho’s Dystopia Is Already Here The Korean director’s ferocious new film, Parasite, is a parable of our money-hungry world. It’s also the most fun you’ll have in theaters this fall. By E. Alex Jung
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How High-Frame-Rate Technology Killed Ang Lee’s Gemini Man

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The Quiet Strength of Selena Gomez’s ‘Lose You to Love Me’

The Face of Korean Cinema Is Anxious, Afraid, and Full of Metaphors

An Afternoon at the Joker Stairs, New York’s Newest Tourist Attraction

How High-Frame-Rate Technology Killed Ang Lee’s Gemini Man

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