Sean Raspet’s The Ones We Work For (2008).Image courtesy of the artist and Daniel Reich Gallery, New York.
Physically navigating Sean Raspet’s new installation, The Ones We Work For, at Chelsea’s Daniel Reich Gallery seems to require superhuman agility. His riff on commerce suggests layered messages and an unmaneuverable media landscape. In short: why we’re so glad to own a DVR. —Rachel WolffArtist Sean Raspet Scrapbooks in 3-D