Justin Davidson explores Terry Riley’s In C, classical music’s founding work of stoner minimalism. Boris Kachka sits down with Bill Irwin and Nathan Lane to talk about Waiting for Godot. Jesse Green gets to the heart of what makes Dolly Parton tick. Logan Hill chats with Michael Caine about his influences. Miranda Siegel reacts to Marilyn Minter’s Green Pink Caviar. David Edelstein reviews Tyson, The Soloist, and Treeless Mountain. Will Leitch takes on Columbine. And Amos Barshad deconstructs the not-a-supergroup supergroup Tinted Windows.