Seinfeld not only paved the way for much of modern television (as our Matt Zoller Seitz argues), it also created its own financial empire. Here, an examination of the show’s salaries, mini-economies, and GDP impact.
$3.1 billion: The amount the show has generated since entering syndication in 1995.
$400 million: What Larry David and Jerry Seinfeld can each make just from the most recent syndication cycle.
For a potential tenth season, Seinfeld was offered $5 million per episode, or $110 million per year. He turned it down.
The Long March of the Soup Nazi
1984: Al Yeganeh opens Soup Kitchen International at 259A West 55th Street. Begins forcefully directing customers to the left.
November 1995: Episode 116, “The Soup Nazi,” airs. Larry Thomas, who plays Yeganeh, is paid $2,610. Yeganeh hates the nickname.
1997: Yeganeh strikes deal to open kiosks in New York and Canada. It doesn’t pan out.
1998: Goes on the Home Shopping Network to sell frozen soups. Gets 1,600 orders in eight minutes.
2004: Closes on 55th Street; with investor Reggie Jackson, forms Soup Kitchen International.
2005: In November, SKI opens on 42nd Street. Line starts to form at 1 a.m.
2007: Forty locations have opened, but many struggle with meager profits and lawsuit threats.
2009–10: SKI sells its assets to a new company, the Original Soup Man, then goes bankrupt. TOSM reopens 55th Street location.
2012–14: TOSM starts selling from soup trucks, backed by Shaquille O’Neal. Yeganeh opens Al’s Famous New York Delicatessen & Restaurant, in Atlantic City.
Kenny Kramer: Since 1996, he’s given weekly tours during tourist seasons at $37.50 a head. His bus holds 61 people. “I’m not that ambitious, but the revenue is enough to have a positive cash flow.”
Snapple: It was a regional brand, recalls Patti Ganguzza, who placed it on the show. By 1994, Quaker Oats would overpay $1.7 billion for the company—then resell it in 1997 for just $300 million.
Junior Mints: Six months after “The Junior Mint” aired, the product line was bought, along with several other candy brands, by Tootsie Roll Industries for $81.3 million.
Festivus Poles: The Wagner Companies, a Milwaukee railing company, has owned exclusive rights to make Festivus poles since 2005. It sells a steady 800 per year, at up to $39 apiece.
Megan Mullally: In 1988, she got all of $5,000 for a Murder, She Wrote gig. Her Seinfeld role, in 1993, raised her visibility; five years later, she started at $80,000 per episode on Will & Grace.
Tom’s Restaurant: The owners of the diner at 112th and Broadway never asked for an appearance fee, but today, owner Mike Zoulis says that 5 to 10 percent of his customers are there because of the show.
The Economic Niche
The Bureau of Economic Analysis changed its calculation of the country’s gross domestic product in 2013, creating a new category that counts long-running shows like Seinfeld as investments (rather than expenses). The tweak adds $70 billion to the GDP of the United States.
*This article appears in the June 30, 2014 issue of New York Magazine.