The coronavirus pandemic has put indie musicians in a tougher spot than most have ever been in before, with no ability to tour traditionally — and, therefore, sell more merch in person — due to social-distancing measures and bans on large gatherings. It’s also given fans a conundrum: What’s the best way to support independent music right now? Bandcamp provided one answer on March 20, when the music-distribution site gave 100 percent of profits directly to artists and sold $4.3 million in music and merch — 15 times a typical day of sales. Many labels gave up their share too, and some even made all their music pay-what-you-can. (Most music for sale on Bandcamp has a minimum price, but you can always pay more to go directly to the artist.)
When the site did it again on May 1, artists sold $7.1 million, besting March’s record by 40 percent. For June 5’s Bandcamp Day, many artists directed their own profits toward racial justice causes and dropped new benefit releases; find ten of them farther below. The Bandcamp Day on July 3 looked like it was going to be the last, and artists responded accordingly by uploading B-sides and demos for that day only — but, given the popularity of the event, Bandcamp has declared that the first Friday of every month for the rest of 2020 will be Bandcamp Friday. On August 7, September 4, October 2, November 6, and December 4, the site will again direct its share of profits to artists and labels from 12 a.m. to 12 a.m. Pacific Time (e.g., 3 a.m. Eastern Time on August 7 to 3 a.m. ET on August 8). Find dozens of recommendations below, including new music from Backxwash, Blu & Exile, Dehd, Gulch, Illuminati Hotties, Katie Dey, and Margo Price, along with a Bandcamp exclusive from Best Coast. (Also check out our list of 19 Black musicians to support on Bandcamp from the platform’s Juneteenth donation day.)
New on Bandcamp
It’s the perfect time to get into Backxwash, the Zambian-Canadian rapper who makes harmony — or dissonance — out of hardcore, electropop and hip-hop music. She released new EP STIGMATA on August 4, a three-track sonic barrage that only takes a breath at the end, with an eerie two-and-a-half-minute “Interlude of Doom.” It’s a good introduction to Backxwash, after which you should turn to her reflective debut album God Has Nothing to Do With This Leave Him Out of It, which also folds-in Zambian chants and church choirs, and was recently shortlisted for Canada’s Polaris Prize.
Celebrating the 10th anniversary of their slacker-rock debut Crazy for You, California rockers Best Coast released a new version of hit “Boyfriend” on Bandcamp for one day only on August 7. Not only does it have sharper guitars and more reverb on Bethany Cosentino’s vocal, it changes the pronouns of the song to be more inclusive. “I realized that it had a whole new meaning than the one it did when I first wrote it,” Cosentino wrote in a note to fans, referring to queer Best Coast fans who latched onto the song. “The experience of this song through the eyes of the LGBTQ+ community of Best Coast fans, is truly the way I want it to be experienced.” All proceeds from the song will go to LGBTQ suicide prevention organization the Trevor Project.
Blu & Exile
Rapper Blu and producer Exile are back for the first time in eight years on a new album Miles, still working in lockstep. The duo made good on the wait since their previous album Give Me My Flowers While I Can Still Smell Them, with a 20-track, 95-minute offering, with features from artists including Miguel, Ishe, Fashawn, and Aloe Blacc. Exile builds beats out of classic jazz and soul — the title Miles refers to Davis — and Blu’s flow toes the line between casual and deliberate. On tracks like the nine-minute-long Biblical and historical epic “Roots of Blue,” the result is soul-stirring.
People like to focus on the splits in the story of Chicago rockers Dehd: That members Emily Kempf and Jason Balla used to date, or that Balla had played with the once-ascendant, now-defunct band NE-HI. After Dehd’s third album, Flower of Devotion, they have no reason to — it’s the most unified the trio has ever sounded. Balla’s steady drone counters Kempf’s arresting wails on opener “Desire,” and songs like “Haha” and “No Time” are some of the band’s loosest and catchiest yet. Shy drummer Eric McGrady even sings lead on penultimate track “Apart.”
The perfect antidote to isolation might just be 15 minutes of absolutely ripping hardcore music. The pride of Santa Cruz, Gulch plays loud, fast, and guttural on the band’s anticipated debut Impenetrable Cerebral Fortress. But don’t mistake that for simple — the music is densely layered, packing its punch thanks in part to sessions with Jack Shirley, producer for shoegaze-metal trailblazers Deafheaven. Stomach the first seven tracks to close out with a treat: an explosion of a Siouxsie and the Banshees cover.
Illuminati Hotties made an unintentional splash when their mixtape Free I.H leaked before it was announced, but that was just the start. Then Sarah Tudzin’s band formally announced the mixtape as a not-album, made to get out of a contract with floundering indie label Tiny Engines. And the songs deserve the buzz on their own — it’s caffeinated, playful punk with a few direct hits, reminding Tiny Engines of the talent they’re missing out on and flexing how much fun Illuminati Hotties can have without them.
To Katie Dey, it isn’t frivolous to feel emotional about technology. The experimental pop musician’s newest record, mydata, explores the complex feelings that come as technology, the internet in particular, becomes more intertwined in our lives — in her own words, it’s “about being gay on the computer.” Emotions and technology commingle in her music as well, with her evocative voice edited to blend in among her synthesizers. By the end of the record, there’s not much left other than that glitchy voice, straining to sing the haunting hymn to the Cloud, “Data.”
Margo Price has had an even worse 2020 than many of us, dealing with the tornados that hit her hometown of Nashville in early March and her husband’s bout with COVID-19 not long after. The singer-songwriter understandably pushed her third album back, but when it came out on July 10, That’s How Rumors Get Started proved worth the wait. It’s a pivot from the rootsy country music that built Price’s career toward a Tennessean take on rock, with the same lyrical storytelling and reflection at the heart of her songs.
More Bandcamp Day Recommendations
The Beths’ hotly anticipated sophomore album Jump Rope Gazers missed the July 3 Bandcamp Day by just a week, but luckily, Bandcamp Day is back for August. Single “I’m Not Getting Excited” is a straightforward, two-and-a-half-minute jolt of movie-soundtrack-ready pop rock, in the best possible way. It’s one of the best rock songs of the year — and other singles “Dying to Believe” and “Out of Sight” make a case for the album being just as good.
Black Belt Eagle Scout
Northwest Washington, especially Seattle, has been among the areas hit hardest by the coronavirus pandemic, as the site of one of the first outbreaks in the U.S. Katherine Paul grew up an hour or so away, in the Swinomish Indian Tribal Community, which informs her music as Black Belt Eagle Scout. Now based in Portland, she postponed her Turtle Island tour due to the coronavirus, but you can buy her lush, celebratory 2019 record At the Party With My Brown Friends now.
The supergroup of Julien Baker, Phoebe Bridgers, and Lucy Dacus, boygenius packed some of the best work by all three singer-songwriters onto one six-song EP. The group shared three demos from their initial sessions for one day only on July 3, but if you missed it, don’t worry — turn to their individual pages and grab Bridgers’ superb second solo album Punisher, which features Baker and Dacus on the beautifully apocalyptic closer “I Know the End.”
Bare-bones Philly hardcore trio Control Top put on one of the most electric live shows I saw last year, and it’s a shame their spring tour for anti-capitalist debut album Covert Contracts is a casualty of this pandemic. Good thing their tour merch, like T-shirts that say “Eat Shit,” double as a perfect expression of everything we’re feeling right now — pair it with polished new single “One Good Day.”
Denzel Curry & Kenny Beats
One of the hardest producers in hip-hop right now, Kenny Beats, who’s recently produced full projects for Rico Nasty and Vince Staples, teamed up with razor-sharp Miami rapper Denzel Curry on February’s UNLOCKED, an EP that’ll give you whiplash. Find more where that came from in Kenny Beats’s and Denzel Curry’s discographies.
An emo record named after a video game just screams social distancing — sometimes even literally, like when Dogleg’s Alex Stoitsiadis sings, “Get drunk with your friends and stay home / I don’t care if I’m the one that stays alone.” Melee, the Detroit band’s debut on Triple Crown, is an early contender for the best rock record of the year, 35 ear-splitting minutes of poignant, symphonic chaos.
These days, there’s never a bad time to listen to radical garage-rock band Downtown Boys. Their songs touch on socialism, anti-racism and racial pride, community support, and overthrowing the rich, all of which feel particularly relevant in this pandemic. Order their new digital single, out May 1 for both the Bandcamp event and International Workers Day. Plus, their first album Full Communism includes a burning cover of Bruce Springsteen’s “Dancing in the Dark,” for when you get tired and bored with yourself.
Wanna take a journey without leaving the confines of your home? Just pop on glass beach’s first album the first glass beach album, a jazzy emo epic like, well, nothing you’ve heard before. Get it on cassette, CD, or neon-red vinyl. Warning: A song like “bedroom community” might hit a little too close right now.
Find comfort in the new album by Half Waif, The Caretaker. Let Nandi Rose’s synths wash over you as you listen to her glossy, confident voice. She wrote the album alone at her Hudson Valley home, aiming to capture a character who struggles to do what’s expected of her while shut off from society. You can connect the dots.
The confusion of 2020, not to mention the ennui of quarantine, has brought out some of music’s most reclusive artists, but no one could’ve expected a comeback from Illinois one-hit wonder Hum. The spacey shoegaze band surprise-released Inlet, its first album in 22 long years, on Bandcamp on June 23, picking up right where they left off. If you only know the band for “Stars,” expect denser guitars holding down the same no-frills rock; if you’re a longtime fan, log this one among the greater rock comebacks in history.
Irreversible Entanglements’ latest blend of free jazz and spoken-word poetry, Who Sent You?, is captivating and intoxicating. If you turn on jazz expecting background music, you won’t get that from Irreversible Entanglements — poet Moor Mother demands your attention as the musicians backing her set up an explosion.
There’s never been a better time for live albums, or for one of the most raw and energetic rock bands to swoop in with a live cut of their own. Canadian duo Japandroids’ Massey Fucking Hall is a total burner, turning songs from the band’s three albums up to 11. You can’t just hear how excited Brian and David are to be playing the iconic Toronto venue, you can feel it. You’ll want to yell like hell to the heavens too.
Bedroom pop usually means music made in a bedroom, but Jay Som’s music toes the line between chill and dancey in a way that can fit any bedroom mood during your social distancing. Melina Duterte had to postpone a European tour for third album Anak Ko, but you can still buy some merch, like a hat or pair of socks.
Kaitlyn Aurelia Smith
Quell your anxieties by getting lost in one of Kaitlyn Aurelia Smith’s lush soundscapes, such as her new ten-minute single “Expanding Electricity” off upcoming new album The Mosaic of Transformation. It sounds like discovering a community of wood nymphs in the middle of a magical forest, and if that’s not what you need right now, I don’t know what is.
You might only know Knxwledge as an Anderson .Paak collaborator in their duo NxWorries, but the prolific, soulful hip-hop producer’s solo work vibes just as much — maybe more, actually, with nearly 100 releases on Bandcamp in his decade-long career. Scroll through his page and stop on a random release, or just work backward and order 1988, his second “proper” album on Stones Throw released March 27.
Lido Pimienta holds the simultaneously impressive and frustrating title of being the first musician to win Canada’s Polaris Prize for a Spanish-language album, in 2017 with La Papessa. On her follow-up, Miss Colombia (a tongue-in-cheek reference to Steve Harvey’s slip), she builds upon her previous work to blend electronic and traditional Afro-Colombian music while deconstructing her own relationships to heritage and race.
After making one of the best albums of 2019, the intense and moody Patience, Mannequin Pussy recently had to cancel the rest of their spring tour opening for Best Coast. They’re selling merch from that tour on Bandcamp, including a wonderful pair of underwear to wear around the house during your quarantine.
New Amsterdam Records
You could pick one artist off innovative new music label New Amsterdam, whose flagships include Pulitzer winner Caroline Shaw and MacArthur “genius” grant recipient Mary Halvorson, or you could get it all by purchasing a subscription for just $85 a year — which gets you 14 back-catalogue releases along with 15-20 throughout the year.
The coronavirus pandemic didn’t stop enigmatic psychedelic-rock performer Nick Hakim from announcing his second album at the end of March. The sprawling seven-and-a-half-minute elegy “QADIR” sets the stage for WILL THIS MAKE ME GOOD, out May 15. Preorder the album on Bandcamp-exclusive clear vinyl.
Chicago pop-rock duo Ohmme released their first single off new album Fantasize Your Ghost earlier in March, and “3 2 4 3” is fittingly one of their darkest, thickest cuts yet. Going for something a bit lighter? Pick their breakout 2018 album Parts instead, or the sketched T-shirt for their 2017 debut.
When you lose track of what day it is, as you inevitably will, just put on Laura Stevenson’s new song “Time Bandits” and remind yourself it’s not your fault. The New York folk singer-songwriter came up as a DIY hero in Bomb the Music Industry!, and recently released a heartwarming EP of Neil Young covers with former bandleader Jeff Rosenstock.
Ratboys are a much more polished band than their name would let on. Printer’s Devil, the third album by the hard-to-categorize Chicago rock band — which blends hardcore, pop, and Soccer Mommy–esque indie rock — is a symphony. The guitars rip, the lyrics punch, and singer Julia Steiner’s voice sparkles. If you’re lucky, you can get one of the last 20 copies (as of the afternoon of April 30) of the album’s limited 600-press sandstorm vinyl.
Much of Untitled (Black Is), the new album by the mysterious artist SAULT, is built around sharp percussion. It’s a dynamic album — one song can sound like audio from a protest march, the next like a passionate rock concert, the next like an emotional R&B ballad. As the title suggests, the album (released on Juneteenth) reflects on Black life, eyes fixed on a goal of revolution. The percussion only propels Untitled (Black Is) forward, as SAULT celebrates Black resilience in the process.
Saving for a Custom Van
Fountains of Wayne member and songwriter Adam Schlesinger’s death touched all corners of the entertainment industry, from the pop bands he influences to the TV creators he worked with. They’ve all contributed to Saving for a Custom Van, the 31-track covers tribute album spanning Schlesinger’s career from Fountains of Wayne and Ivy to Crazy Ex-Girlfriend. The wide array of highlights, from Rachel Bloom doing “Stacy’s Mom” to Charly Bliss doing “Pretend to Be Nice” from Josie and the Pussycats, show Schlesinger’s indelible influence — all these artists fit their songs perfectly. Proceeds from the Bandcamp exclusive go to the MusiCares COVID-19 Relief Fund.
The Song Is Coming From Inside the House
This is a benefit compilation tailor-made for the indecisive indie-rock fan. Twenty-four musicians — including two recommended here, Downtown Boys and Ratboys, along with Mount Eerie, Palehound, Sadie Dupuis of Speedy Ortiz, and Harmony Tividad of Girlpool, among others — sent in B-sides and demos for the Bandcamp-exclusive The Song Is Coming From Inside the House, organized by Philadelphia band Strange Ranger. All profits will benefit the Groundswell Rapid Response Fund any day.
Laetitia Tamko’s latest, self-titled album as Vagabon is a collection of dense, almost-orchestral indie pop, drawing from rock and R&B while foregrounding her syrupy voice. It won’t leave you bored, and there’s no better time to check it out than now, after she’s had to cancel her spring tour.
Aside from Fiona Apple (who does not have a Bandcamp), Waxahatchee’s Saint Cloud is one of the best albums so far of this young, long year. Alabama DIY stalwart Katie Crutchfield turns toward her Southern roots, channeling Lucinda Williams’s Car Wheels on a Gravel Road for a stunning Americana meditation on place, sobriety, and relationships. It’s deceptively simple, and then it hits you.
Breakout R&B-inflected experimental musician Yves Tumor (née Sean Bowie) has to postpone his spring tour for album Heaven to a Tortured Mind, but the coronavirus didn’t stop the release from happening on April 3. Order the record, marked by a grander sound from a fuller band, or snatch some of the tour merch — including some May 1 exclusive items.
10 Musicians and Labels Who Made June 5 Donations
June 5’s Bandcamp day came as the country protested racism and police brutality after the killings of George Floyd, Breonna Taylor, Ahmaud Arbery, Tony McDade, David McAtee, and countless others. Many artists used it for action, either with new benefit releases or by directing proceeds from previous releases to bail funds and other racial justice causes. (Bandcamp has a full list.) Here are ten great artists and labels who did just that on June 5 — some of their benefit releases may no longer be available, but their music (and causes) worth supporting today just as well.
Dua Saleh’s syrupy voice is beautiful and haunting in turn, making every word they sing stick with you long after they’re done. On the Minneapolis artist and activist’s new song “body cast” — intended for a later project but released after George Floyd’s killing — their words are hard to shake as they describe what it’s like to witness an unending string of police violence as a Black person in the U.S. Proceeds from the song go to Minnesota’s Black Visions Collective.
The Philadelphia spoken word poet (and member of Irreversible Entanglements, below) demands to be heard, whether over dissonant electronics or freewheeling jazz. “You can see my dead body at the protest,” she chanted in 2016 on “Deadbeat Protest,” off her first album Fetish Bones. All of that album’s proceeds go toward ActBlue’s Community Bail Fund today (while her label, Don Giovanni Records, is also donating its share from any sale). A new project of largely freestyle poems recorded at the beginning of the COVID-19 pandemic, ANTHOLOGIA 01 (with producer Olof Melander), raises funds for disability justice organization The Futurist Fund.
Mr. Muthafuckin’ eXquire
If his name tells you anything, Mr. Muthafuckin’ eXquire doesn’t mince words, especially not on his benefit protest single “Bootlicker (Burn Baby Burn).” The song takes aim at recent police killings, referencing Botham Jean, Breonna Taylor, Tamir Rice, and George Floyd. About a minute in, eXquire grows angrier describing his own fear as a black man, while the light touch of the backing track turns aggressive. Proceeds from the track go to The Bail Project.
His music sounds relaxed, but make no mistake — Chicago experimental pop singer NNAMDÏ isn’t sitting back comfortably, especially as he calls out systemic racism on new benefit single “IMPATIENT.” “They so scared around us, they won’t come around,” he sings over an ambient, lightly chopped-and-screwed beat. “Especially if you’re brown.” NNAMDÏ is donating all proceeds from the single, which follows his fourth album BRAT, to the Chicago Community Bond Fund and E.A.T. Chicago.
Nicole Atkins and Single Lock Records
The Florence, Alabama label Single Lock Records was founded to focus on the music of the Shoals region, and it’s giving back on June 5 by directing proceeds to Project Say Something, which is working to remove a Confederate monument from the Lauderdale County Courthouse. Begin with Nicole Atkins, whose wispy voice anchors her ’50s and ’60s revivalist pop on her April album Italian Ice, and who is donating her proceeds to The Gathering For Justice.
Titles like “Zero Day” and “(HOPE) Is Another Word With a Hole in It” on Nothing’s GEORGE EP — named in honor of George Floyd — sound fittingly despondent for the national moment. The heavy Philadelphia shoegaze band didn’t choose the tracks with that in mind; they come from a radio session the band recorded last year, released now as a benefit with proceeds going toward ActBlue’s Community Bail Fund.
London musician Shygirl, a collaborator on Arca’s anticipated new album KiCK i, released her own exclusive track with the Venezuelan producer, “unconditional.” Sparse and lo-fi, it sounds close to a freestyled R&B song, with just a light touch of electronics from Arca. Shygirl had written the lyrics “originally thinking of love, family, betrayal and ultimately strength in adversity,” and saw their relevance this week. Proceeds will be split between Black Lives Matter and Inquest UK.
June 5 marks the birthday of Breonna Taylor, shot by police on a no-knock warrant in her Louisville home in March. Singer-songwriter Simpson won’t let the day go by unnoticed, donating the proceeds from preorders of her upcoming single “I Miss My Dawgs” to the “Justice for Breonna Taylor” Gofundme. If it’s anything like her other music, expect emotionally honest bedroom pop with sprinkles of R&B.
Tré Burt and Oh Boy Records
Oh Boy Records, the label founded by late singer-songwriter John Prine, is not only donating all its June 5 proceeds to Gideon’s Army United and the National Museum of African American Music, it’s tripling all donations up to $100,000. Explore the label’s small but mighty catalog beginning with Tré Burt, whose guitar and commanding, crackling voice carried him from busking in San Francisco to the January debut album Caught It From the Rye.
The monstrous collection Art Is Love, Vol. 1 has been directing proceeds to the Chicago Community Bond Fund since it came out on May 18. Chicago hip-hop label Why? Records brings together its finest for the 20-track album, with label heads Malci, Davis, Joshua Virtue, and Ruby Watson (the latter two also feature on a song with NNAMDÏ) setting the tone on opening track “Why Though?”