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The 50 Best Movies on Peacock

Lost in Translation. Photo: Focus Features
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This article is updated frequently as movies leave and enter Peacock. New titles are indicated with an asterisk.

Who’s ready for another streaming service? NBCUniversal has jumped into the crowded pool in 2020 with the launch of its long-awaited Peacock, a new destination for everything from classic monster movies to episodes of 30 Rock to original programming.

But as with all of these services, it can all be a little overwhelming. How do you dig through the hundreds of films in the Peacock library to find what’s best?

The truth is that Peacock’s film catalogue is a little thin and a little strange (there’s an amazing number of B-movies like Mega Shark Versus Giant Octopus), but it does have some of the weight of the Universal brand and all its history, including classic franchises and recent hits (and the service will likely have more when licensing deals expire with other streaming platforms). But until the selection expands, you can’t go wrong with any of the following 50 films.

*About a Boy

There’s been a bit of a reappraisal of Hugh Grant’s acting ability in the last few years with his great work in A Very English Scandal and The Undoing, but his career-best work may still be in his adaptation of the Nick Hornby novel about a man-child who learns how to grow up from his friendship with a kid. Minnie Driver is pretty delightful here too.


Michael Mann directed a biopic of one of the most important figures of the twentieth century, Muhammad Ali. Will Smith does possibly the best film work of his career as the legendary boxer, civil rights icon, and all-around role model, and Mann approaches the life of Ali with his own unique craftsmanship.

*American Werewolf in London

John Landis is widely recognized as a comedy guy because of films like Animal House and The Blues Brothers, but he also pioneered horror with projects like Michael Jackson’s “Thriller” video and this make-up masterpiece, a movie that holds up today because of its emphasis on incredible practical effects. David Naughton and Griffin Dunner play a pair of American backpackers who travel to England and discover that werewolves are very real. The original tagline: “From the director of Animal House … a different kind of animal.”

Away from Her

Sarah Polley’s 2006 directorial debut is a moving love story about two people who struggle through the pain of Alzheimer’s. Julie Christie and Gordon Pinsent star as married couple who fall apart after she develops the disease and essentially forgets her husband, even developing a relationship with another nursing home resident. For her powerful performance, Christie landed an Oscar nomination.

Bad Lieutenant: Port of Call New Orleans

Director Werner Herzog was an unexpected choice for an unexpected sequel to Abel Ferrara’s 1992 film Bad Lieutenant, but this isn’t your normal sequel. In fact, it has nothing really to do with that first film other than it also centering a corrupt cop. Nicolas Cage gives one of his most unhinged and impressive performances here, and that’s really saying something.


Say his name three times! Tim Burton’s second film proved how quirky and weird he was going to be on the film landscape, telling the story of two recently deceased ghosts (Alec Baldwin & Geena Davis) who end up bothered by a cranky poltergeist named Beetlejuice, unforgettably played by Michael Keaton.

Being John Malkovich

Long before Charlie Kaufman wrote the excellent I’m Thinking of Ending Things for Netflix he really broke through with this clever 1999 comedy, a film that really put him and Spike Jonze on the movie map, and landed its writer an Oscar nomination. How does one even begin to describe this surreal comedy in a capsule description? It’s wonderfully impossible to do so.


Richard Linklater directed this black comedy based on the true story of Bernie Tiede (Jack Black), a man who befriended an elderly Texas woman named Marjorie Nugent (Shirley MacLaine) and ended up murdering her. It’s a quirky little movie with one of Black’s best performances and a great supporting turn by Matthew McConaughey.

*The Big Lebowski

Joel and Ethan Coen followed up the biggest hit of their careers, Fargo, with the story of Jeffrey “The Dude” Lebowski, unforgettably played by Jeff Bridges. In one of his most iconic roles, Bridges captures a kind of lazy L.A. style that turned this flick into a comedy classic, a movie that’s being quoted somewhere in the world on every minute of every day.

Black Christmas

Most people who love A Christmas Story probably don’t realize that the same director (Bob Clark) made another holiday classic with a very different tone. This is one of the most influential slasher pics of all time, the story of a group of sorority sisters who are cut down one by one over the holiday season. It was remade in 2019 with an interesting twist but the 1974 classic is the one on Peacock.


The Marvel Cinematic Universe is preparing to reboot the character of Blade with Mahershala Ali in the title role, but the original Wesley Snipes trilogy seems overdue for a reappreciation. The original film is the only one on Peacock right now but check it out anyway to see where it all began before the vampire-killing starts again.


It’s hard to believe that it’s already been a decade since Bridesmaids shattered all expectations, making a fortune and turning Melissa McCarthy into a household name (especially after she landed an Oscar nomination). Smart and heartfelt, it’s the story of a woman (Kristen Wiig) who struggles in her role as Maid of Honor to a friend played by Rose Byrne. It’s still very, very funny.

The Cabin in the Woods

Drew Goddard’s dissection of the entire horror genre works so well because it’s also a wonderful scary movie on its own terms. With a great cast that includes a pre-huge Chris Hemsworth, Richard Jenkins, and Bradley Whitford, The Cabin in the Woods is endlessly rewatchable thanks in large part to a razor-sharp script from Goddard and Joss Whedon, bringing some of the wit that we saw in their collaborations together on Buffy the Vampire Slayer and Angel to the big screen.


It’s funny how much Universal didn’t know what they were in for when they gave the director of Army of Darkness enough money to make his own superhero movie. The result is one of the most twisted superhero flicks of all time, the story of a disfigured scientist seeking revenge, played by Liam Neeson. It’s a film that owes more to classic Universal flicks than Marvel comics, and it’s unforgettable because of it.

Dead Ringers

David Cronenberg co-wrote and directed the terrifying story of identical twin gynecologists played unforgettably by Jeremy Irons, giving one of the best performances of his career. Irons plays Elliot and Beverly Mantle, infertility experts with a twisted practice of seducing clients and passing them off to one another. And then it gets really weird.

Death Becomes Her

Robert Zemeckis directed this twisted horror comedy way back in 1992 and its themes of superficiality and wealth have kept it current, along with fearless performances from Meryl Streep, Goldie Hawn, and Bruce Willis. The two actresses play rivals who drink a potion that promises eternal youth. It doesn’t go well.

*The Deer Hunter

One of the most iconic Vietnam War movies came not long after the end of the war and seared itself so completely into the American experience that it won the Oscar for Best Picture. Michael Cimino directs a story of steelworkers who are forever changed by the Vietnam War, guiding fantastic performances from Robert De Niro, Christopher Walken, John Savage, John Cazale, and Meryl Streep. It won Walken his only Oscar.


Remember when no one was cooler than Ryan Gosling in his bad-ass scorpion jacket? Dripping with macho style, Nicolas Winding Refn’s best film stars Gosling as a stunt driver who gets caught up in the problems of a single mother, played by Carey Mulligan. Albert Brooks almost steals the movie, but this Refn’s movie through and through, and one of the best L.A. Movies of the ‘10s.


There’s a bizarre flow of classic Universal movies on Peacock, coming and going with each month. Currently through the revolving door is one of the most beloved films that Universal ever made, the Steven Spielberg classic about a boy who befriends an alien who just wants to go home. Introduce it to a new generation or revisit it for the first time since it wowed you when you were a kid.

*Far From Heaven

The great Todd Haynes wrote and directed this 2002 period drama that riffs off the films of Douglas Sirk and their bright-colored melodrama to tell the story of a 1950s housewife (Julianne Moore) whose life begins to unravel. Moore does some of the best work of her career, as does Dennis Quaid, who won several awards for his work here, but became one of the biggest Oscar snubs of all time.

Fear and Loathing in Las Vegas

Sometimes there’s just a perfect, blissful balance between director and source material, which is the case when Terry Gilliam met Hunter S. Thompson in this 1998 adaptation of Thompson’s most popular book. A lot of filmmakers would have tried to alter this crazy, semi-true story, but Gilliam leans into its insanity and adds some of his own. It also contains one of Johnny Depp’s best performances.

Field of Dreams

If you build it, he will come. One of the best baseball movies ever made is really a story about fathers and sons. Phil Alden Robinson directed Kevin Costner to one of the most beloved performances of his career as an average Iowan who hears a voice that tells him to build a baseball field. Redemption, U.S. history, and, of course, a love of America’s pastime intertwine in this moving drama with an incredibly loyal fan base.


With Ron Howard directing, Peter Morgan adapted his own play into this Best Picture nominee that also earned an Oscar nod for its star, Frank Langella. Along with co-star Michael Sheen, the actors who originated the roles in London and on Broadway stepped into the characters of David Frost and Richard Nixon, using their legendary interview as an analysis of image and power.

*The Girl With the Dragon Tattoo

Rooney Mara is fearless and fantastic in this David Fincher-directed adaptation of the Stieg Larsson thriller that became an international phenomenon. Daniel Craig co-stars as a journalist who recruits Mara’s Lisbeth Salander to help investigate a decades-old disappearance. It’s a stunner of a movie, one of Fincher’s most underrated.

*The Hurt Locker

Kathryn Bigelow was the first and is still the only woman to win the Oscar for Best Director, which she won for her 2008 war film about an Iraq War Explosive Ordnance Disposal team. Jeremy Renner does the best work of his career as our eyes into this tense world, one that pulls him apart from the inside. It’s a fascinating film that has really held up since its release.

Inside Man

If you’ve fallen in love with Spike Lee’s Da 5 Bloods on Netflix last year, take the time to check out when the master director put his spin on the heist film with this great 2006 Denzel Washington vehicle. The regular collaborator plays an NYPD hostage negotiator, called in when a bank heist goes down on Wall Street. Tight and effective, this is just further evidence that Spike Lee can nail any kind of movie he chooses to make.

*The Interview

Remember the movie that almost started a war? It was actually pretty funny. The drama leading up to the release of The Interview, a movie that made Kim Jong-un so mad that he ordered a hack of Sony and threatened terrorist attacks against multiplexes, understandably overshadowed the actual movie. The truth is that while it’s not perfect, The Interview contains some inspired work from James Franco, and a great supporting turn from Randall Park as Kim. Go ahead and watch it. North Korea will never know. (We hope.)

James White

The great Christopher Abbott broke through in this 2015 drama, which premiered at that year’s Sundance Film Festival. Directed by Josh Mond, Abbott plays an irresponsible, self-destructed young man with almost no focus in his life until his mother (a moving Cynthia Nixon) comes down with terminal cancer. It’s an emotional story of an isolated loner forced to grow up by the sheer force of mortality.

*The John Wick Movies

Production has just started on John Wick 4, so why not take this time to revisit one of the best modern action franchises? The entire trilogy is finally on Peacock (they were missing the third one for a long time), and they’re perfect distillations of Keanu Reeves’s physical screen presence and undeniable charm.


Peacock is currently finalizing the return of MacGruber in a long-awaited original comedy series. Catch up with the 2010 cult classic, now on the streaming service too. Will Forte gives his all to this adaptation of his SNL sketch comedy character, a spoof of the ridiculous tone of shows like MacGyver. It’s even funnier than you remember.

Margin Call

J.C. Chandor’s 2011 dramatic retelling of how the 2007-08 financial crisis impacted a Wall Street investment bank is a wonderful example of ensemble drama. There are so many familiar faces here, including Kevin Spacey, Paul Bettany, Jeremy Irons, Zachary Quinto, Penn Badgley, Simon Baker, Demi Moore, and Stanley Tucci. The cast is great but it’s Chandor’s smart script that elevates the drama.


Sean Penn won his last Oscar for playing Harvey Milk, a trailblazing politician who would become the first openly gay person elected to public office in California before being assassinated in 1978. Penn gives one of the best performances of his career, but he’s matched by an insanely talented ensemble that includes Josh Brolin, James Franco, Alison Pill, Diego Luna, and many more. The film was nominated for eight Oscars, including Best Picture.


Bennett Miller’s best film is this brilliant adaptation of the non-fiction book of the same name by Michael Lewis. It’s the story of the 2002 season of the Oakland Athletics, one in which general manager Billy Beane (Brad Pitt) tried to find a system that could keep his team competitive without the budget of other franchises. It’s one of the best baseball movies ever made.

The Motorcycle Diaries

Walter Salles approached the legacy of Che Guevara in an unexpected manner by telling the story of his days as a young man in this 2004 biopic. Gael Garcia Bernal gives one of his best performances as Guevara in the chapter of his life wherein he traveled across South America in 1952. It’s a smart, visually striking film that feels overdue for a reappreciation.


The rap on documentaries is that they’re not as much fun as action movies or blockbusters. Disprove that to your friends by making them watch Murderball, an amazing 2005 doc about wheelchair rugby. It charts the rivalry between teams of wheelchair rugby players leading up to the 2004 Paralympic Games; it’s inspiring and riveting nonfiction storytelling.

Night of the Living Dead

Clive Barker wrote and directed an adaptation of his Cabal and released it to a much more muted response than greeted his hit Hellraiser. Over the years, Nightbreed has developed a loyal following, in part due to the various versions of it now available. The one on Amazon is the theatrical, in which Craig Sheffer plays a man who becomes convinced his therapist is a serial killer, and his own investigation leads him to a tribe of monsters. Good times.


It’s really hard to overstate the impact that George A. Romero’s classic black-and-white masterpiece had on not just the zombie genre but DIY microbudget horror filmmaking. So many people have been chasing that game-changing impact of Night of the Living Dead in the half-century since it came out, but it’s the original that’s passed the test of time.

Nosferatu the Vampyre

In 1979, Werner Herzog released his daring vision of the classic F.W. Murnau film Nosferatu. Klaus Kinski plays Count Dracula, Isabelle Adjani is Lucy Harker, and Bruno Ganz is Jonathan Harker in this unforgettable mood piece, a movie that’s so unsettling that one wonders if Kinski might actually be a bloodsucker. It remains one of Herzog’s most popular films for a reason.

*Out of Sight

Steven Soderbergh only makes good movies, and one of his best remains Out of Sight, the 1998 crime dramedy that features George Clooney and Jennifer Lopez at the peak of their blinding star powers. An ode to old-fashioned noir/crime films with a modern twist, Soderbergh’s adaptation of the Elmore Leonard novel of the same name is one of the most purely entertaining films ever made.


Long before the NBC series of the same name (also on Peacock), Ron Howard directed a family comedy inspired by the massive families of the producers, director, and writers. There’s really not much more to it than that simple premise, but it gets by on the likability of its large ensemble, which includes Steve Martin, Tom Hulce, Rick Moranis, Martha Plimpton, Joaquin Phoenix, Jason Robards, and a young Keanu Reeves.


The movies in this franchise seem to bounce around the streaming services like the murderous silver ball within them, but the Don Coscarelli original (and still best) is on Peacock now. The 1979 horror classic that introduced the world to the Tall Man was reportedly made for around $300k and spawned a multi-million-dollar franchise that’s still going.

Short Term 12

Long before she would be Captain Marvel, Brie Larson played a worker at a group home for troubled teenagers in this powerful drama. Based on his own experience, Destin Daniel Cretton wrote and directed this critical darling that now looks like a launchpad for a generation of stars including Larson, Lakeith Stanfield, Rami Malek, Stephanie Beatriz, John Gallagher Jr., and Kaitlyn Dever.

Starred Up

Everyone seems to love Ben Mendelsohn now, but the actor wasn’t really known at all when he appeared in this searing 2013 drama, a film that also introduced the world to Jack O’Connell. The younger star plays a boy who “graduates” from the juvenile detention program to the adult one, where his dad, played by Mendelsohn, happens to also be an inmate. It’s a great character piece for both actors.

They Live

John Carpenter adapted the short story “Eight O’Clock in the Morning” into one of the master filmmaker’s best works. Roddy Piper, Keith David, and Meg Foster star in the story of a pair of sunglasses that reveal that the people in power in this country aren’t human. A movie that works as social satire and sheer horror, it’s remained powerful and felt current while other films of its era have entirely disappeared from memory.

*The Thing

John Carpenter directed one of the best horror films of all time in this 1982 sci-fi masterpiece about a group of American researchers at a remote base in Antarctica when, well, they’re visited by something. The real problem is that their alien visitor can take the form of anyone around them, leading to one of the best films ever made about paranoia and distrust.

Train to Busan

A legitimate phenomenon that has grossed almost $100 million worldwide, this 2016 South Korean movie is one of the best zombie flicks of its era. It’s simple – zombies on a train – but that’s one of the reasons it works so well. It has a propulsive, non-stop energy and it feels like its legacy is just getting started.


Peacock may have lost their collection of the master’s actual films, but this 2008 Brad Anderson thriller could fit the bill if you’re looking for a Hitchcock fix. It owes a great deal to the master of suspence in the way it captures average people caught up in a very not-average situation. Woody Harrelson, Kate Mara, and Emily Mortimer star in a movie for which it’s truly best if you know as little as possible going in. International train travel and mystery – what more do you want to know?

*United 93

Paul Greengrass takes a you-are-there approach to the tragedy that took place United Airlines Flight 93 on September 11th and produced arguably the best drama about that horrible day. With shaky, handheld camerawork, you feel like you’re really on the plane when it’s taken over by terrorists as it unfolds in terrifying real time.


Gavin O’Connor directed Tom Hardy and Joel Edgerton to two of the best performances of their careers in this 2011 sports drama that takes place in the world of mixed martial arts. Hardy and Edgerton are perfect as brothers who are forced to deal with their estrangement and their alcoholic father (Nick Nolte, Oscar-nominated for his work here) both inside and outside of the ring.

*Wedding Crashers

Hit comedies are often just about finding the right comedians at the right time in their career. That’s certainly the case with Wedding Crashers, which made a fortune (almost $300 million worldwide) just by creating the perfect vehicle for Owen Wilson’s shaggy dog charm and Vince Vaughn’s alpha-bro hilarity. The two star as guys who crash weddings and meet girls. The movie helped revive the R-rated comedy and became an instant hit that’s still quoted today.

The 50 Best Movies on Peacock