His all-white paintings seem as if they were fated to come into existence from the beginning of Modern Art.
The fledgling political cartoonist walks Jerry Saltz through seven of his works.
Her canvasses are hyper-assertive, full of operatic grandeur, self-mocking turbulence, disfigured hideousness and the psychopathology of her figures.
Including an abstract pioneer and presidential portraiture.
How to go from clueless amateur to generational talent (or at least live life a little more creatively).
A nearly hidden entrance, the line-free underground cafeteria, and a jaw-dropping yet somehow always deserted room.
At Eternity’s Gate director Julian Schnabel addresses a few common myths about the troubled artist.
After decades apart, the two reunite to discuss Dafoe’s riveting performance in Julian Schnabel’s At Eternity’s Gate, about the artist’s last days.
An appreciation of an American revolutionary, ahead of the Whitney’s can’t-miss new retrospective.
Finding solace in Bodys Isek Kingelez.
The painting fetched 40 times its estimate. Why?
I used to think the art world was at war with money, and vice versa. I’m starting to think we’re in a new equilibrium, defined by ambivalence.
Phyllis Kind, art-dealer extraordinaire, changed my life. Twice.
Beautiful volumes about often under-celebrated artists, from groundbreaking Delacroix to Hilma af Klint, pioneer of Abstraction.
Somehow his infuriatingly messy paintings point directly to Cézanne, Manet, Renoir, van Gogh, Matisse, de Kooning, Marlene Dumas, and Kara Walker.
The 20th-century mystic and pioneering abstract painter finally gets taken seriously at the Guggenheim.
This is an astonishingly relevant, urgently important show that reflects on what it means to be human in a time of encroaching political darkness.
This is what happens with an excess of hyperrealism.
Let’s read the tea leaves on the upper end of the food chain.
This is among the best Met roof sculpture installations since the program began in 1987.