Lane Brown is a feature writer for New York Magazine. He was previously the magazine’s culture editor and one of the original editors of Vulture. He was also a founding editor of Grantland and the co-creator of the podcast Exit Scam.
The Decomposition of Rotten TomatoesThe most overrated metric in entertainment is erratic, reductive, and easily hacked — and yet has Hollywood in its grip.
the industry
The Binge PurgeTV’s streaming model is broken. It’s also not going away. For Hollywood, figuring that out will be a horror show.
How Channing Tatum Learned Tap for Hail, Caesar!He’s the star of a technically onerous, relentlessly delightful six-minute sequence during which he sings while dancing around a pub, on stools and tables, among other precarious surfaces.
In Conversation With Quentin TarantinoMidway through postproduction on his eighth movie, the Western The Hateful Eight, the director discusses writing scripts by hand, ‘90s nostalgia, and becoming — relatively — mellow with time.
in conversation
In Conversation With Quentin TarantinoMidway through his eighth movie, the director discusses writing scripts by hand, ‘90s nostalgia, and becoming — relatively — mellow with time.
So, How About That Mad Men Finale?If you thought Matthew Weiner was going to give us a tidy, satisfying ending in tonight’s Mad Men series finale then you’re probably an idiot. But still, what just happened?
chat room
Noel Gallagher on His New Album and Beyoncé“If I were Beck, I’d have handed Kanye the award and a dictionary and said, ‘Have a look at the word artistry and see if it applies to Beyoncé.’”