Angelyne Is the Total PackagePeacock’s miniseries about L.A.’s “Billboard Queen” is not just aware of the limitations of the biopic. It relishes disrupting them.
Candy Leaves a Sour AftertasteHulu’s weightless true-crime miniseries has little sense of what it wants to say about the 1978 axe murder of Betty Gore, or why it should say it.
The Best TV of the Year (So Far)A freshman series firing on all cylinders, an auteurist comedy returning in peak form, and a highly original thriller are among 2022’s best offerings.
The 101 Best Movie Sequels of All TimeWhether they come after, before, or between their predecessors, these films have created their own indelible legacies.
Gaslit Has No Use for HeroesWhen it avoids the sway of its own hyperbole, Starz’s compellingly grimy Watergate miniseries illuminates the coldness and crassness of complicity.
Why Are We Still Watching Law & Order?Halfway through its 21st season, the revived crime procedural is missing something. Could it be a genuine reason to come back in the first place?
Halo Hasn’t Unlocked Its Full PotentialInitially bogged down by world-building and its own source material, this adaptation of the video-game phenomenon is still figuring itself out.
Euphoria’s Angus Cloud Recommends a Good Cry“I’ll be having other stuff I want to cry about that I ain’t cried about yet, and then I watch a sad-ass kids’ movie, like Coco or some shit.”