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MOST RECENT ARTICLES BY:
Sara Holdren
Theater Critic
See all their articles from across New York Magazine
Follow
@swholdren
on Twitter
Email
sara.holdren@nymag.com
theater review
Yesterday at 10:00 p.m.
Ibsen, Translated Into American:
An Enemy of the People
With Jeremy Strong, Michael Imperioli, and drinks on the house.
theater review
Mar. 14, 2024
Love and Brains, Dull and Sharp:
The Notebook
and
The Effect
A musical adaptation that’s generic to the point of inanity, and a play that asks and examines real questions about what a person is.
theater review
Mar. 11, 2024
Corruption’
s Heroes Are Not Serious People
Murdoch’s phone-hacking scandal, recounted by thinly drawn archetypes.
theater review
Mar. 10, 2024
The Old-Weird-America Pleasures of
Dead Outlaw
From the team behind
The Band’s Visit,
another musical that is more than meets the eye.
theater review
Mar. 7, 2024
Doubt
Returns in a Traditionalist Production
John Patrick Shanley’s dialogue still packs heat, but the fire’s been turned down this time.
theater review
Mar. 7, 2024
Feeling the Illinoise, This Time Through Movement
Sufjan Stevens’s album becomes a transcendent theater-dance-music piece.
theater review
Feb. 28, 2024
In
The Ally,
Impossible Conversations We’re All Having
Itamar Moses’s drama about a lefty Israeli American caught up in the complexity of pro-Palestine academia is confident and eloquent in its humility.
theater review
Feb. 26, 2024
Fiasco’s Smooth-Sailing
Pericles
An affable, legible take that intermittently sings.
theater review
Feb. 25, 2024
Through a Glass, Familiarly:
The Hunt
In this adaptation of a Danish thriller, almost all the characters conform to movie-trope behavior and movie-trope actions.
theater review
Feb. 20, 2024
Sunset Baby’
s Troubled Children of the Revolution
Dominique Morisseau’s play looks at the time after revolutionary fire is reduced to a simmer.
theater review
Feb. 14, 2024
Alone in the Dark:
I Love You So Much I Could Die
and
On Set With Theda Bara
Two solo shows, looking to make the most of limited resources—and one, at least, soars.
theater review
Feb. 13, 2024
Two Queens (and Some Dancing):
The Apiary
Virtuosic performances in a play that can’t quite get airborne.
theater review
Feb. 11, 2024
Too Too Solid: Eddie Izzard’s
Hamlet
The British comedian, so deft on a standup stage, has a go at Shakespeare—and tightens up.
theater review
Feb. 8, 2024
The Trouble With Trolls, in
Russian Troll Farm
Sarah Gancher’s play takes us to the bunker where disinformation begins its journey.
theater review
Feb. 7, 2024
We’re in This Together:
Bark of Millions
and
The Following Evening
A maximalist performance and a quiet, inward-looking play—both, somehow, about creative legacy and earthly mystery.
theater review
Feb. 2, 2024
Quiet Obsessions, Unplugged:
Aberdeen
and
The Animal Kingdom
A verse play about Kurt, and a therapy play about hurt.
theater review
Jan. 28, 2024
Soaring Voices and Plastic Plants in
Days of Wine and Roses
Kelli O’Hara and Brian d’Arcy James at peak vocal power.
theater review
Jan. 25, 2024
Diary of an Overbooked Theater-Festival Surfer: Week Three
Jack! Rose! Jack! Rose! And
Eugene Onegin.
theater review
Jan. 24, 2024
The Long Zoom of
Public Obscenities
A story of bringing a partner home to Kolkata is steeped in naturalism.
theater review
Jan. 17, 2024
Diary of an Overbooked Theater-Festival Surfer: Week Two
Puppets, worms, toilets, and a
really
aggressive Shakespeare take.
theater reviews
Jan. 11, 2024
Diary of an Overbooked Theater-Festival Surfer: Week One
On finding eccentric Miranda July commentary and gonzo race commentary during January’s experimental-theater blitz.
theater review
Jan. 9, 2024
Can You Put Your Faith in
Prayer for the French Republic
?
It’s a timely and engaged play, but that engagement is glib.
2024 preview
Jan. 4, 2024
14 Plays and Musicals We Can’t Wait to See in 2024
Izzard in Shakespeare, Strong in Ibsen, Carell in Chekhov, and a freaky Michael R. Jackson musical.
theater review
Dec. 18, 2023
An Estate That Divides: Branden Jacobs-Jenkins’s
Appropriate
Sarah Paulson is furious and fearsome.
theater review
Dec. 15, 2023
When the Play’s Not the Thing
Too often, great performances and stagecraft are let down by the script behind them.
best of 2023
Dec. 8, 2023
The Best Theater of 2023
A play that’s not
not
about Fleetwood Mac, the return of
Merrily
and
Purlie
, and the agony of high-school test prep.
best of 2023
Dec. 8, 2023
Exhilarating Reactions to a Troubled World
Plus Sondheim old and (for the final time) new.
theater review
Dec. 5, 2023
Reflections on Lost Lands:
Manahatta
and
Life & Times of Michael K
Onstage, the commoditization of Lenape land and the reclamation of a South African farm.
theater review
Nov. 30, 2023
The Echo From the Days of ’39: Jen Silverman’s
Spain
A cool treatment of a once-hot civil war.
theater review
Nov. 21, 2023
At Playwrights Horizons, a Tinge of the Fringe
Amusements, School Pictures,
and
Sad Boys in Harpy Land
are running in repertory.
theater review
Nov. 19, 2023
Hell’s Kitchen:
A Familiar Diary of Alicia Keys
Conventional musical-theater turf, made fresh by killer performances.
theater review
Nov. 17, 2023
Who Thought Stoppard Needs More Sex?
Bedlam’s
Arcadia
falls into an easy trap.
theater review
Nov. 16, 2023
Spamalot
Returns, and It’s Not Dead Yet
Say no more!
theater review
Nov. 16, 2023
Is Anything Real in
Scene Partners?
Is Everything?
John J. Caswell Jr.’s script is like an Escher drawing, endlessly spiraling in on itself.
theater review
Nov. 14, 2023
That’s the Idea, Let’s Amuse Each Other! Shannon and Sparks in
Waiting for Godot
Michael Shannon and Paul Sparks foreground the funny in Beckett.
theater review
Nov. 14, 2023
Navigating the Expanses of
Danny and the Deep Blue Sea
Christopher Abbott and Aubrey Plaza star in the 1983 John Patrick Shanley play that’s beloved of young actors.
theater review
Nov. 8, 2023
Tragic Losses, of Life and Language, in
Watch Night
and
Translations
The destruction wrought by colonialism and racism, rendered onstage in very different ways.
theater review
Nov. 5, 2023
What’ll It Be? At
FOOD,
the End of the World As We Know It.
A farcical, funny, and haunting commentary on the industrialized, globalized diet.
theater review
Nov. 2, 2023
I Need That
Does Not Spark Joy
Danny and Lucy DeVito, as an almost-hoarder and his daughter, are trapped in a play full of junk.
theater review
Nov. 2, 2023
Bring a Bucket and a Mop for This
Snatch & Tainty
A juicy, joyful, bodily-function-obsessed trip below the belt.
theater review
Nov. 1, 2023
The ‘Yes, We Can’ Spirit of
Poor Yella Rednecks
Qui Nguyen’s optimistic, funny immigration tale.
theater review
Oct. 31, 2023
The Box-Checking Work Begins:
Merry Me
A self-described lesbian sex comedy leans on its
Angels in America
references.
theater review
Oct. 26, 2023
Covenant
Is Best When It’s At Its Pulpiest
Why aren’t there more plays that lean into being genre horror?
theater review
Oct. 23, 2023
Make Like a Tree: Renae Simone Jarrett’s
Daphne
Ovid’s telling of the myth, reimagined.
theater review
Oct. 23, 2023
The Last Midnight: Sondheim and Ives’s ‘Here We Are’
A strange, dark, fragmented, and compelling final message from the master.
theater review
Oct. 20, 2023
Language As Engine:
Helen.
and
Mahinerator
A feminist Trojan War parable and a monologue that leaps right over the desk to grab you.
theater review
Oct. 19, 2023
How It Went Down, Revised:
Salesman之死
and
Room, Room, Room …
Two plays that find power in strange historical corners.
theater review
Oct. 13, 2023
A Full, Fierce Day in Sean O’Casey’s Dublin
A six-hour, three-play
DruidO’Casey
marathon where the ’20s rhyme with ours, unsettlingly.
theater review
Oct. 12, 2023
Gutenberg! The Musical!
’s Broadway Dreams Mostly Come True
Book of Mormon
dynamos Andrew Rannells and Josh Gad reunite on Broadway with a new mission: to elevate a delightful yet padded-out show.
theater review
Oct. 10, 2023
Here’s to Them. Who’s Like Them? Damn Few.
Turns out what
Merrily We Roll Along
needs most is three actors who can really bring it home, and here they are.
More Articles