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Sacha Baron Cohen’s Eyebrows Were ‘Obliterated’ for
Who Is America?
“If the makeup doesn’t work, the show’s over,” the prosthetics artist told us.
Christina Applegate Explains the Backstory of Jen’s Mastectomy on
Dead to Me
“It’s something that I just never saw anyone really discuss in any show.”
How Timothy Simons Handles All the Insults on
It pays to have thick skin.
Maggie Gyllenhaal on
, Sex Work, and Falling in Love With
“I’ve gotten into trouble with sex workers online for saying this, but my fantasy of that life is that it’s got to be numbing.”
The Cast of
Plays a Round of Catch Phrase
Of course Daniel Radcliffe pulled the Harry Potter card.
The Women of
One Day at a Time
Ship Penelope and Schneider’s Relationship
“Men and women
DeWanda Wise on Preparing for Her Role in
She’s Gotta Have It
DeWanda Wise does her homework.
Sutton Foster Gushes Over
Director Miriam Shor
“She’s a complete natural.”
The Team Behind
I Am the Night
on Why It’s So Universally Resonant
“[Fauna] was someone who refused to be defined by the circumstances.”
Linda Cardellini Is Good at Keeping Secrets
So is her character Judy in
Dead to Me
Here’s What Went Into Filming Camping Episode of
The cast and crew were up against a few challenges
Natasha Rothwell Channels Her Inner Nancy Meyers
star demonstrates her many talents.
Anna Konkle and Maya Erskine on Why
Is So Relatable
“Anyone can relate to the trauma around that time.”
Niecy Nash Critiques Iconic Nails
“It is very much giving me Edward Scissorhands vibes.”
Eric McCormack on What Society Expects From Sitcoms
“If you have a family sitcom that’s what it is, it’s a family and nobody’s supposed to get divorced.”
Making a (Cheerful and Optimistic, If Not Particularly Talented) Murderer
How NoHo Hank,
scene-stealing, endlessly quotable would-be crime boss, was inspired by an Apple Store employee.
Behind the Infamous Romper Scene in
The Marvelous Mrs. Maisel
“Go, you chicken fat, go!”
Lily Collins on the Importance of Strong Female Story Lines
“It shouldn’t matter about the gender. It should matter about their drive.”
Our 2019 Emmy-Nomination Predictions
It’s gotten harder than ever to forecast the field of nominees, but that’s not going to stop us from trying!
Christina Hendricks and Retta Play the Newlywed Game
Who would last longer in a zombie apocalypse?
Why Christopher Abbott Read
Twice Before Filming
“It’s a plethora of knowledge and backstory about these characters and this world.”
Connie Britton on Why
Is So Timely
“Women are still coming from a tradition where we don’t value ourselves equally.”
Carla Gugino and Timothy Hutton Recall Filming With Ghosts
“Every single one was in the scene with us.”
Paul Dano on Filming in a Real Prison for
Escape at Dannemora
“The size of the cells, frankly, was really shocking.”
Jennifer Love Hewitt on Acting Alongside Her Husband on
“Thank God my husband on the show is nothing like my husband in real life.”
Desus and Mero on Why They Love Working With Showtime
“They were like, if it ain’t broke don’t fix it.”
Elizabeth Olsen and Mamoudou Athie on
Sorry for Your Loss
’ Flashback Scenes
“The way we rooted [our acting] was in
A Year of Magical Thinking
by Joan Didion.”
15 Performances Emmy Voters Shouldn’t Forget About This Year
We’ll be upset if none of these actors end up on your ballot.
Marc Maron on How He Stopped Worrying About What to Wear
“I really thought that if you wear green, you’re gonna bomb.”
Padma Lakshmi Thinks
Is the Best Reality Show on TV
“We don’t compare ourselves to other shows.”
Pamela Adlon’s Filmmaking Motto: ‘The Moment Is Everything’
The writer, director, and star of
on influences, inspirations, and the importance of trusting your inner voice.
Susan Kelechi Watson Revisited Her Dance Background for
This Is Us
“It was really intense trying to get that ballet back in my body.”
Phoebe Robinson Isn’t Ruling Out More ‘2 Dope Queens’
Also, she loves Lizzo!
Marsai Martin on Becoming Hollywood’s Youngest Producer
“I wanted to do it more because there wasn’t a lot of people who looked like me that was my age that was doing this.”
Netflix Renews Tim Robinson’s
I Think You Should Leave
A blessing for comedy nerds everywhere.
emmy studio 2019
This Is Us
Stars on Portraying a War Vet and an Addict
“Shooting in Vietnam did bring a new dynamic.”
How Puberty and Pantsing Inspired Nick Kroll’s
“She saw my bald little cashew.”
On My Block
’s Sierra Capri on Monse’s Best Season Two Moments
“There are so many things that go on in her life that I’m just like,
. I can’t even believe she’s experiencing this so early.”
Debra Messing Wants Grace to Go Through Menopause on
Will & Grace
“I want Grace to be covered in sweat … literally like in-the-shower wet.”
emmy studio 2019
Cast Talks Fake Cocaine and Plays a Game of Password
“They actually got real cocaine from the ‘80s.”
Terry Crews Is the Mother Hen on
America’s Got Talent
“If they need a drink of water, I’ll go up there and give them some water.”
What Adam Scott and Sanaa Lathan Love About
The Twilight Zone
Here’s a twist, it’s not the twists!
How a Great TV Wig Is Made
The stylists behind
American Horror Story
explain what goes into making the best kind of wig, which is one no one notices.
In Defense of Cousins Who Fall in Love, on
(Not to be read by any of my cousins.)
Pamela Adlon Sang ‘Shallow’ at the
Even though she doesn’t really remember it.
Giancarlo Esposito on Embodying the Violence of
Better Call Saul’
s Gus Fring
good one podcast
What It’s Like to Write for Late Night Right Now
On this week’s
podcast, writers from every late-night show that shoots in New York talk shop.
See Photos of Natasha Lyonne, Busy Philipps, and More in the Vulture Emmy Studio
For your consideration.
Patricia Arquette Breaks Down Scenes From
Escape at Dannemora
“There aren’t always the greatest parts for women in TV, or anywhere, and these are great parts in their own right.”
’s Aidy Bryant Is the Only Sarah Huckabee Sanders We’ll Miss
It wasn’t the best role to play, but Bryant gave it her all.