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The Vulture Transcript

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    Steve McQueen Won’t Look AwayThe Widows director on male sexuality, New Queer Cinema, and his unflinching gaze.
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    How Sam Esmail Directed the Hell Out of HomecomingAn in-depth conversation, and video commentary track, on the show’s visual style, music, set design, and aesthetic blueprint.
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    Bret Easton Ellis on Why He Named His First Book in a Decade White“The reader could either get very upset or annoyed by it, or take in the spirit in which it was offered.”
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    Doctor Who’s Jodie Whittaker Is Making Sci-Fi HistoryAfter five decades, Doctor Who finally has its first female Doctor. What took so long?
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    The Good Place Showrunner Michael Schur Knows the Meaning of Life“‘Are you good or bad?’ is essentially unfair. That’s going to be the argument of the show when all is said and done.”
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    Alan Yang’s Art-House ComediesThe co-creator of Forever on making Cassavetes for people of color, Master of None season three, and Parks and Recreation’s epic Secret Santas.
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    Michael Moore on Fahrenheit 11/9 and What He Learned From Steve Bannon“His conversation with me was a turning point.”
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    Raphael Bob-Waksberg, In Good FaithThe BoJack Horseman creator on Times Up, bad men, and his apology tour.
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    The Vulture Transcript: Alfonso Cuarón on Children of MenIn a long discussion, the director touched on everything from climate change and Picasso’s Guernica to his frustrations with Universal Pictures and the global rise of right-wing populism.
  10. Cary Fukunaga Goes to War in Beasts of No NationHe still hasn’t seen True Detective season two.
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    Todd Glass on His First Year As an Out ComedianChecking in a year after he came out on Marc Maron’s “WTF” podcast.
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    Walter Kirn on His E-book and Oscar Predictions“There’s some kind of Obama-Lincoln connection, so that’s the one you vote for when you can’t decide.”
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    Dexter Showrunner Scott Buck on the Season-Seven FinaleAlso, what’s next for the series.
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    Terence Winter on What’s Next for Boardwalk Empire Also, what he really thinks of recappers.
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    Mel Brooks on His New Box Set and the 1 Million Great Stories That Come With ItFiguratively speaking.
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    Nashville’s Candid Showrunner on Crossover Music“I don’t know why they bother to call it country. Why don’t they just call it a song and leave it at that?
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    The Dauntingly Competitive T.C. Boyle on His New Novel, San Miguel“I’m too competitive — too crazily competitive — to play anything.”
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    Penny Marshall Explains Her Tense ET Appearance“I just went berserk. (A) I was tired. (B) It was a child that was interviewing me.”
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    How to Get Jared Leto to Invite You on a HikeJust point out that he seems sorta out of shape. (It worked for us.)
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    Penn Badgley on Jeff Buckley and Gossip Girl“[Dan] is a tool on a show with soap-operatic arcs and he needs to be a judgmental douche bag sometimes. I get that.”
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    Marc Maron Insists His Podcast Isn’t ‘Therapy’“Why would someone say that? Is it therapy or is it just talking about being human?”
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    Author Don Winslow on Working With Oliver Stone“I know [he] called me strange in the New York Times … Just arbitrarily.”
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    Oliver Stone on Savages, Drugs, and How Filmmaking Is Like Acting“This is not a war on drugs. This is a war for money.”
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    Mad Men’s Vincent Kartheiser on Pete’s Hairline“Yeah, I shaved my hairline back this season.” (We knew it!)
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    Amy Sherman-Palladino on Gilmore Girls, New ShowShe reflects on her early exit from GG and its similarities to her new show.
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    Idris Elba on Prometheus, Learning to Box, and His Party House The address, 7 Wallace, is his D.J. name. How gangster.
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    Why Jason Schwartzman Ignored the Moonrise Kids“I had to ice them out, you know what I mean?”
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    Six Female Showrunners Talk Ratings, Their Comedy Icons, and Internet Hate“I think there is a microscope on [women-led shows] which … can lead to backlash.”
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    Ryan Murphy Dissects Glee, American Horror StoryThe man who will be juggling three shows and two movies sits down for an epic conversation.
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    The Vulture Transcript: Jessica Paré on Mad Men“Please do not make the headline ‘Jessica Paré: Tits can be funny.’”
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    Anna Faris on The Dictator and Playing Idiots“I like the idea of sort of playing quieter roles, which would be refreshing for a minute. It is exhausting being really loud and obnoxious.”
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    Damon Albarn on Blur’s London Olympics Reunion“I just want to give everyone who turns up a really good send-off.”
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    Alison Brie on Frumpy Trudy and Her Art-School Sexual Experimentation“I never realized how much I would love wearing a pregnant belly.”
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    John Cusack on The Raven, ‘Lazy’ Comedy, and His Zombie Survival Plan“I think, um, a helicopter.”
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    Barry Sonnenfeld on Men In Black III“Every film has its own mishegoss.”
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    Girls’ Jemima Kirke on Her Abortion Episode“I didn’t have any harsh feelings about it. I was like, ‘Yeah, this is what happens.’”
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    Julia Louis-Dreyfus on the Scrutiny of Lady Pols“That they’re pulled apart in that way is highly unjust.”
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    Nicholas Stoller on The Five-Year EngagementPlus, where he is with The Muppets and his CBS pilot.
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    The Vulture Transcript: Judd Apatow on His Canceled Shows, Upcoming Movies, and Girls“I’ve always loved stories about trying to figure out who you are and awkwardness.”
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    The Vulture Transcript: Whit Stillman on Damsels in Distress, Dance Crazes, and ‘Hipster Neighborhoods’“Bushwick is really cool.”
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    The Vulture Transcript: Terry Gilliam Gets Real About the Making of Monty Python and the Holy GrailAnd shares his thoughts on movies and comics these days.
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    William H. Macy Dissects the Second Season of ShamelessThe season’s dark turns, his role in the writers’ room, and the younger cast’s drunken escapades in Chicago.
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    Michael Mann and David Milch Open Up About the Cancellation of LuckThe duo discusses the horse fatalities, the protests, and where the show would have gone.
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    Glen Mazzara Opens Up on Darabont’s DepartureThis new batch of episodes will be more cinematic, and the show will move more quickly, he promises.
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    Steven Soderbergh on Haywire“I wish movies mattered more. I wish they were more influential.”
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    David Cronenberg on A Dangerous Method, His ‘Falling Off’ Body Parts, and Why You Should Never Call His Work ‘Cronenbergian’“I have no desire to impose some preconceived idea of Cronenbergness on the project.”
  47. The Showrunner Transcript: Homeland’s Alex Gansa and Howard Gordon on Last Night’s Big Reveal and What’s Next for the SeriesMajor spoilers ahead.
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    Zoe Kazan on Her New Play, Writing Her First Movie, and Co-Starring in It With Boyfriend Paul Dano“We never fight on set … but on the ride to the set we’re sharing a car and he’s like, ‘We need to go get juice to protect our health.’ And I’m like, ‘No, we need to get coffee.’”
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    Bebe Buell on Being a ‘Rock Girlfriend,’ Moms Like Dina Lohan, and Bikini Waxing“I’ve never cared for the landing strip; I think it should be all or nothing.”
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    Jonah Hill on Moneyball, Idolizing Joe Pesci, and Being All Grown Up“I’m not living in a frat house with a bong plastered to the table.”
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