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Displaying all articles tagged:
Music Review
music review
Apr. 5, 2024
Amid the Alerts, Two Lightly Earthshaking Philharmonic Debuts
Karina Canellakis and Alice Sara Ott powered through the bleeps.
By
Justin Davidson
classical-music review
Mar. 18, 2024
Klaus Mäkelä Brings Back the Wild Streak in Stravinsky
The young Finnish conductor had even his own orchestra stomping with enthusiasm.
By
Justin Davidson
opera review
Feb. 27, 2024
At the Met, Great Voices and Overwrought Choices in
La Forza del Destino
Soprano Lise Davidsen knows what’s needed here; director Mariusz Treliński does not.
By
Justin Davidson
opera review
Jan. 16, 2024
An Epic Set in Xenophobic Limbo: Huang Ruo’s
Angel Island
From the walls of an immigrant detention cell to the opera stage.
By
Justin Davidson
theater review
Sept. 29, 2023
Melissa Etheridge Takes the Aw-Shucks Road to Broadway
My Window
is a night of songs and personal biography, loosely hung together.
By
Jackson McHenry
opera review
May 23, 2023
A
Magic Flute
With a Few Too Many Tricks
Simon McBurney’s production draws power from some inventive stagecraft but gradually swamps its singers.
By
Justin Davidson
classical-music review
May 22, 2023
At the Philharmonic, Dudamel’s First Is Mahler’s Ninth
He delivers a showy 2-D performance of a 3-D symphony.
By
Justin Davidson
opera review
Jan. 5, 2023
The Met’s New
Fedora
Is Almost Luxe, Almost Enough
“David McVicar’s new production for the Metropolitan Opera gets partway to the right degree of too much.”
By
Justin Davidson
opera review
Nov. 23, 2022
The Hours
Comes to Roiling Vocal Life
Michael Cunningham’s novel comes to the Metropolitan Opera’s stage.
By
Justin Davidson
music review
Nov. 21, 2022
Memory Play, With Cello: Michael Gordon’s
Travel Guide to Nicaragua
“The beauty of this score lies in its refusal of big gestures and its preference for the telling detail.”
By
Justin Davidson
architecture review
Oct. 8, 2022
The New Geffen Hall Is Open. How Does It Sound?
It’s too early to say. But the inaugural concert today (with two very different types of ensembles) was encouraging.
By
Justin Davidson
music review
Sept. 30, 2022
Tyshawn Sorey’s Rituals Take Over the Armory
The sound of
Monochromatic Light.
By
Justin Davidson
album review
May 17, 2022
How Does That Make You Feel, Kendrick?
Whatever your problem,
Mr. Morale & the Big Steppers
wants you to talk it through.
By
Craig Jenkins
opera review
May 16, 2022
Brett Dean’s
Hamlet
Is Too Mad for Its Own Good
Yet there is method in ’t.
By
Justin Davidson
classical-music review
Oct. 7, 2021
Carnegie Reopens With Bernstein, Beethoven, and a Tribute to Those 7 p.m. Shouts
After 572 silent days.
By
Justin Davidson
album review
June 25, 2021
Doja Cat Refuses to Be Dragged Down to Earth
Planet Her
makes a case for Doja as our new ice-cool pop-queen supreme.
By
Craig Jenkins
new york philharmonic
Apr. 15, 2021
The Philharmonic’s First Concert Back Brought Me Panic and Solace
At the Shed, Caroline Shaw’s
Entr’acte
and Strauss’s
Metamorphosen.
By
Justin Davidson
music review
Oct. 24, 2020
A Concert Review! From a Cemetery. (This Is Not a Metaphor.)
At Brooklyn’s Green-Wood, a moving performance that roved among the crypts.
By
Justin Davidson
classical music
Sept. 17, 2020
The New York Philharmonic Wants You to Take a Walk in the Park
With
Soundwalk
, Ellen Reid’s composition that changes according to your GPS location.
By
Justin Davidson
beyonce
Apr. 17, 2019
We’ll Revisit Beyoncé’s Coachella Performance for the Rest of Our Lives
Just seconds in, it was apparent she was playing for keeps.
By
Craig Jenkins
classical-music review
Sept. 25, 2018
Opera Review: The Met Brings Back
Samson et Dalila,
With Just Enough
Fromage
“To describe it as gaudy and silly is a compliment, not a complaint.”
By
Justin Davidson
music review
Aug. 20, 2018
Music Review: Leonard Bernstein Is Paid Half-Hearted Tribute at Tanglewood
Andris Nelsons conducted as if he would rather be at home watching TV. Some music can endure an uncommitted performance; Bernstein’s can’t.
By
Justin Davidson
music review
July 19, 2018
Music Review: Leonard Bernstein’s
Mass
Has Finally Found Its Era
It’s been called bloated, dated, naïve — but it also contains a lot of beauty.
By
Justin Davidson
music review
July 12, 2018
The Feel Good Mutant Soul of Dirty Projectors’
Lamp Lit Prose
It’s all upbeat ruminations on affection and excitement, where the last album fixated almost exhaustingly on rot.
By
Craig Jenkins
music review
July 7, 2018
On
Beast Mode 2
, Future Hits Another Hot Streak
At his peak, it feels like melodies are just jumping out of his face.
By
Craig Jenkins
music review
June 26, 2018
Teyana Taylor Finally Gets Her Moment to Shine on
K.T.S.E.
Teyana’s record is almost too good for the glut of disconcerting Kanye press that preceded it.
By
Craig Jenkins
music review
June 18, 2018
On
Everything Is Love
, Beyoncé and Jay-Z are Performing a Marriage in Real Time
Each song here is the rare team-up where both parties sound like they’re pushing each other to greater heights.
By
Craig Jenkins
June 15, 2018
On
Redemption,
Jay Rock Searches for His Voice
The more it
focuses on Jay Rock’s knack for passionate storytelling, instead of flashy hooks and repetition, the better it fares.
By
Craig Jenkins
June 12, 2018
Dave Matthews Band’s
Come Tomorrow
Is a Quiet Moment in an Overstuffed Year
It’s all solid backyard cookout music and comforting headphone music.
By
Craig Jenkins
album review
June 8, 2018
Kids See Ghosts
Is the Win Kanye and Kid Cudi Badly Needed
Their debut collaborative album is the sound of old friends pooling their strengths to overcome tragedy.
By
Craig Jenkins
June 4, 2018
The Pretty Emptiness of Kanye West’s
Ye
Kanye West was once the everyman’s rapper, a poet of the downtrodden. He hasn’t been that artist in years.
By
Craig Jenkins
May 29, 2018
The Fascinatingly Weird World of A$AP Rocky’s
Testing
It’s enticing in some spots, and unlistenable in others.
By
Craig Jenkins
May 25, 2018
Pusha-T’s
Daytona
Is His Best Album in Years
And you can tell he knows it’s great.
By
Craig Jenkins
May 21, 2018
Courtney Barnett Seeks Out Harsh Truths on
Tell Me How You Really Feel
It’s a fitting document of these tumultuous times.
By
Craig Jenkins
music review
May 17, 2018
The Internet Has Already Devoured ‘This Is America’
But it still has power.
By
Craig Jenkins
May 11, 2018
Arctic Monkeys Find New Life by Rewriting Their Formula
Tranquility Base Hotel and Casino
ditches the old Arctic Monkeys sound in favor of late-night, self-aware vampire soul music.
By
Craig Jenkins
May 11, 2018
The New Beach House Album Is Their Best Yet
Same magic, new resolution.
By
Frank Guan
May 8, 2018
Kanye West Let Us Down
If he never comes back from wandering out on the edges with the trolls and the racists, the times we felt inspired by his work still belong to us.
By
Craig Jenkins
May 7, 2018
What It Means When Childish Gambino Says ‘This Is America’
There’s a lot going on here.
By
Frank Guan
May 4, 2018
The Brightest Star on Travis Scott’s ‘Watch’ Isn’t Kanye West
Cheerful, insistent, and futuristic, the Pi’erre Bourne beat is world-class.
By
Frank Guan
May 3, 2018
Portishead’s
Third
Was a Major Comeback for a Major Band
It’s an album that comes through clearer just as things get worse.
By
Frank Guan
Apr. 27, 2018
Dirty Computer
Is an Introduction to the Real Janelle Monáe
It’s as much a celebration of love as a threat to powerful merchants of hate.
By
Craig Jenkins
Apr. 20, 2018
J. Cole’s
KOD
Is a Thoughtful Meditation on Addiction
The North Carolina rapper explores the perils of addiction from multiple angles, to emotionally powerful results.
By
Craig Jenkins
Apr. 20, 2018
A Perfect Circle Goes Soft and Heavy on
Eat the Elephant
An album fit for people, sheep, and sheeple alike.
By
Frank Guan
Apr. 13, 2018
Nicki Minaj Clears the Air on ‘Barbie Tingz’ and ‘Chun Li’
And both tracks are certified bangers.
By
Craig Jenkins
Apr. 10, 2018
Drake Has Trained His Sights on Wokeness
“Nice for What” is an exceptional act of image reform.
By
Craig Jenkins
Apr. 9, 2018
Cardi B’s
Invasion of Privacy
Cements Her Star Status
It’s a collection of airtight strip-club bangers and heavier emotional numbers.
By
Craig Jenkins
song review
Apr. 6, 2018
Cardi B’s Album Intro, ‘Get Up 10’ Is Bronx Rap Poetry at Its Finest
Invasion of Privacy
opens with a blunt, brazen, and beautiful manifesto.
By
Frank Guan
Apr. 3, 2018
The Weeknd’s
My Dear Melancholy
Is a Jarring Breakup Album
Abel Tesfaye has returned, slightly, to the guts and grit that built him.
By
Craig Jenkins
radio vulture
Mar. 30, 2018
The Weeknd’s ‘Wasted Times’ Does Drake Better Than Drake Can
How long until the Weeknd replaces Drake entirely?
By
Frank Guan
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