Guy Ritchie Goes Brutally PoshThe purveyor of British gangster sagas goes upscale for his Inglourious Basterds knockoff, The Ministry of Ungentlemanly Warfare.
Drive-Away Dolls Is Just Fizzy EnoughMargaret Qualley and Geraldine Viswanathan star in a lesbian road-trip comedy that will mostly remind you of better movies.
Behold, an Actually Good Omen MovieIt’s also, not unlike the very-similar Immaculate, surprisingly topical, reflecting back societal fears in the form of genre thrills.
Our Sweetheart of the RodeoBeyoncé’s Cowboy Carter chronicles an artist with a voice pliable enough (and a following large enough) to crash whatever scene she pleases.
Did We Really Need Kaiju to Get All Cute?Godzilla x Kong: The New Empire doesn’t deliver the giant-monster goods, but it does make its creatures disconcertingly adorable.
Jerrod Carmichael Makes the Camera His GodIn his HBO series, the comedian needles at whether the spectacle of his own personality and pain eclipses his ability to care about others.
We Don’t Know AnythingThe Oscar-winning Anatomy of a Fall is a courtroom thriller and a marital drama, but it’s also about how we’ve lost the ability to grasp reality.
ByBilge Ebiri
movie review
Bustin’ Makes Me Feel BlehIn Ghostbusters: Frozen Empire, the jokes are witless, the emotions artless, and the film joyless.
A New Road House by Way of Looney TunesJake Gyllenhaal is better at oddballs than heroes — thank God he’s playing one of the former in this Road House remake.
A Final Farewell to Ryuichi SakamotoA new concert film, Opus, represents the culmination of a lifelong journey from effusive maximalism to gentle simplicity.
The 2024 Oscars Closed the GatesThis year’s Academy Awards turned on the charm and turned away from anything uncomfortable, even as protests raged outside.
